Release Date: Oct 2, 2001 Region: 1 Runtime: 233 mins Studio: Creative Design Audio:
ENGLISH: Dolby Digital 5.1 [CC] ENGLISH: Dolby Digital Mono [CC]
Video:
Standard 1.33:1 Color
Subtitles: English, French Packaging: Custom Case Rating: G Features:
Lobby Cards: 8 Original Limited Edition Lobby Card Prints Senitype®: Exclusive Limited Edition Image from Film and 35mm Film Frame Theatrical Poster: Original One-Sheet Movie Poster (27"x40") Exclusive Collection: 6 Original Black and White Photograph Cards Interactive Menus Theatrical Trailers Scene Access
Release Date: Nov 9, 2004 Region: 1 Runtime: 238 mins Studio: Warner Bros. Audio:
ENGLISH: Dolby Digital 5.1 [CC] ENGLISH: Dolby Digital Mono [CC] FRENCH: Dolby Digital 5.1
Video:
Standard 1.33:1 Color
Subtitles: English, Spanish, French Packaging: Custom Case Rating: G Features:
Commentary by Historian Rudy Behlemr About the Movie Christopher Plummer Narrates the Documentary The Making of a Legend: Gone with the WindRestoring a Legend Chronicles the Film/Video Restoration Process 1939 and 1961 Atlanta Premiere Newsreels Prologue from International Release Version Foreign-Language Version Sample Scenes Historical Short Subject The Old South Trailer Gallery About The CastMelanie Remembers: Reflection by Olivia de Havilland - Exclusive 2004 Documentary 2 Insightful Profiles: Gable: The King Remembered and Vivien Leigh: Scarlett and BeyondThe Supporting Players: Cameo Portraits of an Unforgettable Ensemble.
Gone with the Wind is a sprawling mosaic of a picture, one of the best-loved and most successful in movie history, but also one of the most frustrating. Wonderfully epic in scope, the decline and fall of the antebellum South as seen through the eyes of feisty, independent and wilful heroine Scarlett O'Hara makes the first half of the picture an absolutely riveting spectacle. From the aristocratic old world of Tara to the horrors of Atlanta under siege, Gone with the Wind features any number of indelible scenes and images: the genteel girls taking an enforced siesta during the Twelve Oaks barbecue, a horrified Scarlett walking through the wounded, the flight from burning Atlanta, and Scarlett's moving pledge against a burnished sunset set to Max Steiner's glorious music score. But the second half shifts gear, the melodramatic quotient is upped yet further as tragedy piles upon tragedy, and despite its unwieldy length everything feels rushed. Add to that the central problem that the audience never really understands, why Scarlett could ever fall for weak-chinned Ashley in the first place, and the picture begins to unravel unsatisfactorily. Behind the scenes problems doubtless contributed, with directors coming and going, Vivien Leigh and Clark Gable apparently barely able to stand the sight of each other, and producer David O Selznick's endless rewrites and interference. Nonetheless, this 1939 box-office smash remains one of Hollywood's finest achievements, an irresistible spectacle chock-full of the finest stars in the filmic firmament striking sparks off one another. They really don't make 'em like this anymore.
On the DVD: No extra features on this DVD, which is a pity given the amount of material that must be available, but it has to be admitted this disc is worth the asking price simply to drink in the astonishing quality of the picture, sumptuously presented in its original 1.33:1 "Academy" ratio. The mono sound is vivid, too, showcasing Max Steiner's headily romantic score. --Mark Walker
First off, if you're a GwtW fanatic, you must buy this four-disc collection. But then again, you probably don't need to read this to make that decision. For the rest of us, know that the kitchen-sink approach has been established here with two full discs of extras. The film's restoration under Warner's brilliant Ultra-Resolution process is the major contribution to the set. However, the bare-bones version released years ago isn't bad and the film still doesn't pop off the screen as do films from the headier days of Technicolor (like the earlier Ultra-Resolution DVD release of Meet Me in St. Louis). That said, the set is worthy of the most popular movie ever made. Rudy Behlmer's feature-length commentary is dry but an exhaustive reference guide to the entire history of the film. Need more? There's the excellent full-length documentary The Making of a Legend (1989) narrated by Christopher Plummer, plus two hour-long older biographies on the two main stars. There are many new vignettes on the rest of the cast, all narrated by Plummer (a nice touch to tie everything together). The new 30-minute interview/reminisce with Oliva de Havilland will be interesting to older fans, but tiresome for the younger set. The usual sort of trailers and premiere footage is here along with a curious short ("The Old South", directed by Fred Zinnemann) that was produced to help introduce the world to the history of the South. --Doug Thomas