This murky rumination on keeping faith in our troubled times was an early sign that writer-director Lawrence Kasdan (Silverado) was losing his once-powerful grasp on the art of storytelling. Set in modern Los Angeles--with all its random violence, venality, ubiquitous police presence, earthquakes, and dreams--the film concerns an unusual intersection of lives and chance occurrences that alter everyone's perspective on destiny. Kasdan, very understandably, is attempting to create an experience for viewers as intuitive as the undefined forces propelling his characters. But from the outside looking in, there isn't enough internal logic in the story to help us connect the dots. Steve Martin has an interesting part as a garish film producer who undergoes a change in priorities after being assaulted on the street. --Tom Keogh
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Director Lawrence Kasdan's GRAND CANYON is an introspective tale of the unlikely friendship of two men from different worlds brought together when one (Kevin Kline) finds himself in jeopardy in the other's (Danny Glover) rough neighborhood. Other characters from disparate Los Angeles origins (including Steve Martin, Alfre Woodard, and Mary-Louise Parker) also cross paths in this soul-searching lament of modern social conflicts.
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A story of friendship and other natural wonders.
When a lawyer's (Kevin Kline) car breaks down in a dangerous Los Angeles neighborhood, a tow-truck driver (Danny Glover) arrives just in time to save his life. The two men begin a deep friendship that sets off a chain of unsettling and surprising events involving their families and friends for years to come.
Lawrence Kasdan's powerful, uplifting film about the harsh realities of contemporary urban life co-stars Steve Martin, Mary McDonnell, Mary-Louise Parker and Alfre Woodard.
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