Other Titles • Desperate Living • Mortville (1977)
Synopses for Desperate Living (1977)
1.
Everyone in Desperate Living's Mortville has some horrible secret to hide. The mentally unstable Peggy Gravel (Mink Stole, in a superb display of overacting) and her 300-pound-plus maid Grizelda must take it on the lam after Grizelda smothers Peggy's husband under her elephantine buttocks. They find themselves in Mortville, a shanty fiefdom ruled by the grotesque Queen Carlotta (the incomparable Edith Massey). The evil queen delights in tormenting her subjects, but Peggy and Grizelda soon team up with a pair of lesbian outcasts, and a rebellion is in the air. John Waters's Desperate Living takes on the air of a seedy, trash fairy tale as the humiliated residents of Mortville rise up against the queen and the cursed princess finds herself in a power struggle against her mother. Notable for the absence of Waters regular Divine, this movie pushes the rest of the cast to their over-the-top best. Fifties sex bomb Liz Renay has a great time as Muffy St. Jacques, half of the lesbian couple, and was still looking great by the '70s. The tumbledown sets of Mortville add a surreal touch to the movie, but Edith Massey steals every scene she's in as the hateful, repulsive Queen Carlotta. Note that the actors' breath is clearly visible in many scenes; it was filmed outdoors in a bitter Baltimore winter. Nasty, shabby, gross, and hilarious, this is John Waters at his best. --Jerry Renshaw
2.
Peggy Gravel (Mink Stole) is a frazzled housewife who has just been released from a mental hospital. Arriving at her suburban Baltimore home in a delicate state, she quickly decides that her husband is trying to kill her...and coerces her rotund maid, Grizelda (Jean Hill), to suffocate him with her ample bottom. In order to escape imprisonment, the unlikely duo seeks refuge in Mortville, a oddball shantytown populated by criminals and social outcasts. To the citizens’ dismay, however, vicious Queen Carlotta (Edith Massey) rules the kingdom with an iron fist. With assistance from a cranky pre-op transsexual (Susan Lowe) and her sexpot lover (Liz Renay), Peggy and Grizelda attempt to navigate their strange new lives.
An antifascist fairy tale obviously influenced by THE WIZARD OF OZ, DESPERATE LIVING creates a true feeling of oppression, amid the expected gross-outs and comedic absurdities. Production designer Vincent Peranio creates an entire village on a shoestring budget, lending the film the effectively disorienting effect of a surrealistic school play. For those who like their comic boundaries dark and stretched to the limit, filmmaker John Waters once again provides sights simply not seen anywhere else.
3.
Two sisters-in-crime hide out in a safehaven for Baltimore's most unsavory citizens.
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