Other Titles • The Crimson Pirate • Der Rote Korsar (1952)
Synopses for The Crimson Pirate (1952)
1.
Notorious raider of the eighteenth century sea lanes, Captain Vallo, a.k.a. The Crimson Pirate, and his band of buccaneers overtake a Spanish galleon filled with guns and ammunition. When he decides to sell the stolen arsenal to rebel leader El Libre on the island of Cobra, the representative of Spain, Baron Gruda, offers Vallo 50,000 florins if he will deliver El Libre instead. Vallo is soon caught between the Spanish, the rebellion, and even the mutiny of his own men. But having allen in love with El Libre's daughter Consuelo, Vallo gains back his crew's trust and leads the island of Cobra to freedom.
(20 votes)
2.
A tongue-in-cheek adventure spoof, set in the late 18th century, of swashbuckling pirates. Burt Lancaster is the captain who takes over royal ships on the high seas by having his crew feign death by scurvy.
(18 votes)
3.
Released well after Douglas Fairbanks's and Errol Flynn's heydays, this good-natured Burt Lancaster vehicle is, nevertheless, a superior example of the classic swashbuckler: set in the 16th century, along the Spanish Main, this lusty adventure both expands on and explodes genre conventions. Lancaster, a circus acrobat before turning to movies in the '40s, gives what may be his most physical performance as sword-for-hire Captain Vallo, a.k.a. the Crimson Pirate.
Nick Cravat, Lancaster's real-life circus buddy, matches the star leap for leap, somersault for somersault as Vallo's mute sidekick. The fetching Eva Bartok causes Vallo to throw over the Spanish for rebel forces, and a young Christopher Lee demonstrates the swordsmanship that would later make him a natural in Richard Lester's The Three Musketeers.
Director Robert Siodmak, known for his claustrophobic noir thrillers (1946's The Killers), handled most of the interiors, while Lancaster coordinated the tongue-in-cheek humor and macho derring-do. The broadly played action scenes, including the climactic 18-minute battle aboard a frigate, wouldn't be improved on for another three decades--by Spielberg's Raiders of the Lost Ark. The big difference: Harrison Ford needed a stunt double, Lancaster didn't. --Glenn Lovell
(17 votes)
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