Other Titles • Catchfire (1989) • Backtrack (1990) • Do It the Hard Way (1990)
Synopses for Catchfire (1990)
1.
Dennis Hopper directed, as well as acted in, this moody mess from 1989, which was barely seen for a couple of years until getting a boost from the rising fame of its star, Jodie Foster. Looking startlingly young, Foster plays a conceptual artist who witnesses a mob hit, thus becoming a target herself for an assassin (Hopper). But instead of killing her, Hopper's killer falls in love, demonstrating his passion by stalking her at a distance, "owning" her every move and keeping her in exile from ordinary life. The resulting isolation squeezes Foster's creative spirit, forcing her to confront doubt and self-loathing--everything that artists suffer as the price for self-expression. Deeply self-conscious, with a calculatingly meditative tone that becomes inseparable from Hopper's tenacious voyeurism (the film's most obvious commercial hook--Foster's nude scene--is almost prayerful in its pathology), Backtrack wants to be a confessional fable about the artistic process. Instead, it's a muted yet rambling confession about the sinner inside a filmmaker, which would be great if Backtrack were, say, Rear Window. But it surely isn't. --Tom Keogh
2.
When murder is your business, you'd better not fall in love with your work.
Jodie Foster stars as Anne Benton, an artist who sees what she shouldn't -- a mob assassination. The police want her to testify; the mob wants her dead. So she goes on the lam, moves to another state and adopts another identity. But she can't hide from Milo (Dennis Hopper), the mobster sent to kill her.
One look at his target and the hit man has a change of heart. He doesn't want her life, he wants her love. Before long this unlikely couple is on the run from both the cops and the crooks, dodging bullets and trying to sort out who to trust, who to kill and who to love.
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