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A two-part US TV miniseries here edited into a 122-minute feature, Asteroid was originally rushed onto (television) screens in 1996, well before the one-two big screen punch of Deep Impact and Armageddon. Single mum-cum-astronomy boffin Dr Lily McKee (Annabella Sciorra) works out that a comet is about to divert a meteor shower towards Earth ("at its present rate, Helios would hit with the force of a thousand Hiroshimas and the heat of the Sun") and spends the first half of the film alerting the authorities to the danger, and the second half helping rugged rescue guy Jack Wallach (Michael Biehn) haul survivors out from under the rubble caused when a bunch of minor asteroids collide with the planet (well, America); all while as the usual shenanigans go on to cope with the big, preventable chunk. The script explains everything in children's science lecture terms ("Mom, are we going to die like the dinosaurs?" "I don't think so, honey, we're much smarter than the dinosaurs") and is written in pure comforting cliché-speak ("I'm sure she's serious, but is she for real?"). With its hymn to the quick-thinking authorities and intently cooperating heroes, this may be the most pro-Establishment disaster film ever made: only a few panicky civilians cause any trouble, and we need plot contrivances to get made-for-TV he-man Biehn into danger as he outruns a flood in Kansas City or searches for the heroine's missing kid (Zachary B Charles) in the burning wreckage of Dallas. A large supporting cast of no-name labcoats, uniforms and victims clutter up the screen between the effects. Of course, this can't compete with its big-screen counterparts, but it did get there first, coopting the CGI and modelwork techniques of Independence Day to the rock-from-space sub-genre (cf: Meteor) as cities are smashed, crowds submerged, the planet battered and multitudes saved to order. --Kim Newman

Release Date: Jun 2, 2003
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