"What's it all about, Alfie?" asked the hit Burt Bacharach/Hal David title song, to which the less philosophical answer might be: an amoral young man comically seducing a succession of beautiful women in swinging-sixties London. Michael Caine was the titular anti-hero, here consolidating his new star status from Zulu (1964) and The Ipcress File (1965), his conquests including Shelley Winters, Jane Asher and Shirley Ann Field. Alfie was a huge success, bringing a new frankness about changing sexual attitudes to the screen, in which respect it was almost the male companion to Julie Christie's then shocking, Oscar-winning performance in Darling (1965). It was also a sort-of contemporary Tom Jones, which had swept the Oscars for 1963, however, Alfie was not only better made, but in Michael Caine's guilelessly amoral asides to camera, offered a groundbreaking illustration of a newly self-conscious cinema. It is a technique Caine would reprise as the middle-aged philanderer in Blame It On Rio (1983). With Blow Up also released in 1966, and Ken Russell's Women In Love following in 1969, British film-making was truly in the midst of a sexual revolution. Michael Caine would reunite with director Lewis Gilbert and meet his female match in Educating Rita (1983). --Gary S. Dalkin
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