Other Titles • The Producers: The Movie Musical • The Producers (2005)
Synopses for The Producers (2005)
1.
The movie classic that became a Broadway sensation now becomes a movie musical event.
Mel Brooks is bringing The Producers, one of the most honored musicals in the history of the American theater, to the motion picture screen as a sparkling, feature-length musical comedy. The record-breaking Tony Award-winning hit (based on Mel Brooks' seminal 1968 motion picture comedy) received 15 nominations and won a record-breaking 12 awards, including Best Musical, Best Director and Choreographer, and Best Actor.
Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical Springtime for Hitler. Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Will Ferrell also brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written."
The Producers is directed by Susan Stroman, Tony Award-winning director and choreographer of the original Broadway production of The Producers; it is written by Mel Brooks and Thomas Meehan (based on their original stage play), with music and lyrics by Brooks. Brooks also produces, with Jonathan Sanger.
(56 votes)
2.
This remake of Mel Brooks’ 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max Bialystock (Lane) is famous for his spectacular opening night flops. Leopold Bloom (Broderick) is an uptight accountant who virtually discovers gold while reviewing Max’s books. When Leo realizes that you can actually make more money with a flop than with a hit, the two team up and begin a search for both the worst script and the worst director they can find to ensure failure. The script selection seems easy when the duo stumble upon SPRINGTIME FOR HITLER, an homage to the Fuhrer penned by Franz Liebkind (Will Ferrell), a German sympathetic to the Nazi cause. Convinced that the script will incite outrage, the duo needs a bad director to seal the deal. Campy director Roger DeBris (Gary Beach) and his assistant (Roger Bart) fit the bill perfectly.
But when their scheme fails, Max and Leo find themselves with the worst possible outcome: a hit. To make matters worse, Franz is just a little peeved that Hitler was depicted disrespectfully--and he has a gun. Will Max and Leo survive the playwright’s wrath? Will they go to jail for cooking the books? And will Leo ever submit to the advances of sexy Swedish receptionist/actress Ulla (Uma Thurman)? Directed by stage director Susan Stroman, making her feature film directorial debut, this riotous romp features lots of laughs from the major players, as well as brief appearances by Jon Lovitz, Michael McKean, and Richard Kind. Lane and Broderick make it easy to understand why the show was an unprecedented hit on Broadway, and Ferrell is a scene-stealer as Liebkind.
(53 votes)
3.
It’s 1959, and Broadway is buzzing with some of the theater world’s biggest names. Producer Max Bialystock (Nathan Lane), however, is no longer one of them. One day, mousy accountant Leo Bloom (Matthew Broderick) shows up at Bialystock’s office to do his books and innocently remarks that, under the right circumstances, a dishonest man could make more money producing a flop than a hit show. Immediately, a light bulb goes off in Bialystock’s head, and he tries to persuade the reluctant Bloom to join him in his perfect plan to embezzle a fortune by producing a sure-fire Broadway misfire and then skip town with the cash. Unsure, Bloom returns to his dismal job and fantasizes about a much more glamorous life. Deciding he’s had enough, he seizes the day and becomes Bialystock’s partner in crime.
Searching for the ultimate bad play, Max and Leo discover “the mother lode,” a musical entitled Springtime for Hitler—A Gay Romp with Adolf and Eva in Berchesgarten. They decide to pay the playwright, Franz Liebkind (Will Ferrell), a visit on his Greenwich Village rooftop.
(44 votes)
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