A cross between a Kosher Shaft and Airplane!'s shameless gag machine, The Hebrew Hammer is an unabashed burlesque about a streetwise Jewish private detective (a "circumcised dick" in his own parlance) named Mordechai Jefferson Carver (Adam Goldberg). Once ostracized by Gentile children, Mordechai has become a much-feared defender of Jews, so extreme that even the militant Jewish Justice League tosses him out. Until, that is, JJL leader Chief Bloomenbergansteinhal (Peter Coyote) and his lovely daughter Esther (Judy Greer) recruit him to take on the wicked Damien (Andy Dick), a snippy anti-Semite who murders Santa Claus in order to turn Christmas into a Jew-hating holiday. Written and directed by Jonathan Kesselman, this sporadically funny feature is based on a funkier short (included on this DVD) of the same name. The cast is better than the generally obvious material, and Nora Dunn (as Mordechai's mother) and Mario Van Peebles are very good in supporting roles. --Tom Keogh
(18 votes)
2.
IN THEATRES: DECEMBER 19, 2003 (LIMITED)
THE HEBREW HAMMER is a holiday movie that is most definitely not for kids. Adam Goldberg stars as Mordechai Jefferson Carver, also known as the Hebrew Hammer, a private detective who has an overbearing mother (Nora Dunn) and a propensity to whine when things get difficult. He is hired by Bloomenbergensteinthal (Peter Coyote), chief of the Jewish Justice League, to prevent Damian Claus (Andy Dick) from killing Hanukkah. The Semitic Stallion seeks out help in the form of the Kwanzaa Liberation Front, headed by Mohammed Ali (Mario Van Peebles in a great afro), while also falling for the JJL chief's daughter, Esther (Judy Greer). Damian, who has his father brutally murdered by reindeer, Santa (Richard Riehle), is supported by his right-hand man, low-grade hood Tiny Tim (Sean Whalen). It's hard to tell which side Jamal is on--but this foul-mouthed decadent elf is played by Tony Cox, who handles a similar role in the later BAD SANTA. The ultimate battle between good and evil awaits in this riotous Jewxploitation film that never met a stereotype or offensive joke it didn't like. Writer-director Jonathan Kesselman's debut feature film pays homage to SHAFT, SWEET SWEETBACK'S BAADASSSS SONG, and other blaxploitation favorites, filled with shootouts, curses, and sex, so leave the children at home. But don't look away for a second or you'll miss another groan-inducing hysterical joke or funny cameo. And the theme song, a takeoff on Isaac Hayes's theme from SHAFT, is a classic.
(17 votes)
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