"Cooler" than You'd Expect
Shelly (Alec Baldwin) is a beast that once
flourished in another era. He comes from a time
when muscle got things done. There wasn't a
committee to slow the process up. And sometimes,
lessons could be better taught by a steel rod or
a head butt rather than through meaningless
dialogue. Yes, his is a disappearing breed of
dinosaur. Yet, we can admire his tenacity and
his street smarts. If Bugsy Siegel created the
original Las Vegas, then Shelly was the one that
would work so hard to preserve its original
vision.
"Cooler" is an enjoyable character study about a
man who is so engrained with his no-nonsense,
anachronistic lifestyle that he'd rather go down
swinging than embrace change. As Vegas
continually becomes an increasingly glitzy
showpiece and as hotels transform into tiny
Epcot-like attractions, Shelly refuses to give up
on the original vision. He inhabits a world
that's decades old. In that world, women were
called broads; martinis were the drink of choice,
and cigar smoke was considered fragrant.
Shelly's vision is uncompromising. Most
unsettling is his strange relationship with
Bernie (William H. Macy). We're not sure if they
are actually friends, but it is clear that they
both need each other when we first see them
together. Bernie, a sort of mild-mannered
milksop, has always been unlucky, as if there was
a rain cloud that continually hovered over his
head. He feels fortunate, though, to have met
Shelly. Shelly sees a unique opportunity by
having Bernie on his staff. If you were to read
Bernie's job description on a resume, you would
find it quite fascinating. He is a 'cooler.'
That's someone who brings bad luck to a table so
that winners eventually become losers. Shelly
has found a gold mine in Bernie and will not let
him get away. While Shelly applies a kind of
subtle pressure that feels noticeably
claustrophobic, Bernie's struggle to free himself
is poignant.
Lots of kudos should be given to Alec Baldwin,
who portrays the single-minded casino owner with
a resolute fervor. When Shelly catches a cheater
at the craps table, he is all too willing to
school that person in integrity. We view this
sequence with chilly fascination as Shelly
dispenses some brutal punishment. The audience
likely feels a strange mixture of appall and
respect. Baldwin's performance ably resurrects
him from that moribund performance in "The Cat in
the Hat." It is so smooth that it might even be
enough to catch the Academy's eye.
Another plus is the look and feel of the picture.
Although the film seems to take place in the
present, there's an undeniable old world charm
that evokes a period of the Brat Pack. In fact,
you almost expect to see Frank Sinatra or Dean
Martin somewhere in the background. The swinging
music, the tough-guy invective, and the
less-than-savory atmosphere certainly conjures up
those images. Although we never quite know where
his casino is located, one might guess that it
might be nestled near downtown gambling halls
like Binion's Horseshoe or The Four Queens where
the 21st century is still knocking on their doors
to enter.
The work done here is undoubtedly admirable. The
casting choices of Baldwin and Macy put two good
actors into roles that they can ably inhabit.
The film looks surprisingly stylish and noirish
yet feels unexpectedly powerful. It's a film
that takes a gamble and wins.
Grade: B+
S: 3 out of 3
L: 3 out of 3
V: 3 out of 3
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X-RAMR-ID: 36910
X-Language: en
X-RT-ReviewID: 1244840
X-RT-TitleID: 1127399
X-RT-AuthorID: 1370
X-RT-RatingText: B+
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