Other Titles • House of Games • Haus der Spiele (1988)
Synopses for House of Games (1987)
1.
"Entertaining Good Fun." -Variety
It's the shrink vs. the shark in the ultimate mind game! Starring Oscar nominee Lindsay Crouse (The Insider) and Joe Mantegna (Godfather III) as an unlikely team of con artists, this "witty and devious" (Time) psychological thriller is Oscar nominee David Mamet's directorial debut. It's an "extraordinary" (Newsweek) and "thrilling funhouse" (New York Post) of mental gamesmanship that will keep you guessing until its exciting end!
When a suicidal patient reveals that his gambling debt has him at the end of his rope, dedicated psychiatrist Margaret Ford (Crouse) enters into the shadowy underground world of gaming to help him out. At a seedy casino, she boldly confronts Mike (Mantegna), the con man who holds her patients markers. Duped into a high-stakes poker match, Margaret becomes intoxicated by Mike's mastery, as he both cheats at the game and charms her. She quickly falls for him, turning a blind eye to the fact that he's a swindler who can't be trusted. And before long she finds herself sparring in a mental poker match of the heart...with deadly consequences!
(17 votes)
2.
David Mamet's 1987 directorial debut was this mesmerizing study of control and seduction between two kinds of detached observers: a gambler who is also a con artist, and a psychotherapist who is also an emerging pop-psych guru in the book market. The latter (played by Lindsay Crouse) meets the former (Joe Mantegna) when one of her clients is driven to despair from his debts to the card shark. Mantegna's character agrees to drop the IOUs in exchange for Crouse's attention at the seedy House of Games in Seattle, a mecca for con men to talk shop and hustle unsuspecting customers. The shrink gets so caught up in the arcane rules and world view of her guide over subsequent days that she observes--with no false rapture--various stings in progress inside and outside the club. Mamet's story finally becomes a fascinating study of two people protecting and extending their respective cosmologies the way rival predators fight for the same piece of turf. The psychological challenge is compelling; so is the stylized dialogue, with its pattern of pauses and hiccups and humming meter. Mostly shooting at night, Mamet also gave Seattle a different look from previous filmmakers, turning its familiar puddles into concentrations of liquid neon and poisonous noir. --Tom Keogh
(15 votes)
3.
David Mamet's directorial debut finds him exploring his abiding interest in deception and inviting his audience to be prepared for endless twists and turns. The film is a character study of Dr. Margaret Ford (Lindsay Crouse), a psychiatrist and best-selling author specializing in addictive behavior. During a therapy session, she discovers that a patient owes a $25,000 gambling debt. When she becomes involved on her patient's behalf, she enters an underworld populated with fascinating characters. Dr. Ford is both strong and vulnerable, and Crouse exploits this ambiguity in a powerful central performance. Joe Mantegna is also a presence as underworld denizen Mike. The strong overall acting and well-crafted plot pleased critics and proved to be at the heart of Mamet's future filmmaking successes.
(15 votes)
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