TAKING LIVES
Reviewed by: Harvey S. Karten
Grade: D
Warner Bros
Directed by: D.J. Caruso
Written by: Jon Bokenkamp, novel by Michael Pye
Cast: Angelina Jolie, Ethan Hawke, Kiefer Sutherland, Olivier
Martinez, Gena Rowlands
Screened at: Loews Lincoln Sq., NYC, 3/15/04
"Mothers of America," this film appears to say, "If you have
more than one child, be sure to treat each equally. If you have
twins, treat them as though they are conjoined. If any one of
you who as much as gives one kid an ice cream without at least
offering another to the sibling: your life is in danger."
"Taking Lives," is in every which way a conventional thriller
given genre-friendly scenes, i.e. the killer refrains from
executing a coup de grace against the good guy until the latter
gets the drop on him; the hostility of a local detective (in this
case, a Montreal officer) to an outsider who takes charge of an
investigation; the obligatory sex scene, particularly if the lovey-
dovey pair are an unlikely duo given the situation at hand; a few
twists coupled with the director's playing with an audience with
scares, whether faux or genuine; a cop who manifests a
mentality not unlike the psycho killer's; and oh, a car chase with
the necessary explosion; mangled bodies; etc.
There is little that's original in "Taking Lives," and even Philip
Glass seems on autopilot with generic music rather than his
signature, spooky vibes.
Filmed in Montreal under D.J. Caruso's direction, using Jon
Bokenkamp's script from a Michael Pye novel, "Taking Lives" is
about identity theft with extreme prejudice. The serial killer
steals the credit cards and other marks of his murder victims,
making sure that they are individuals without family ties, people
who would not miss them if they disappeared which gives Pye's
novel some of the resonance, but not the grace, wit, or irony of
Joseph Kesselring's play "Arsenic and Old Lace." The city of
Montreal enlists the help of FBI Special Agent Illeana (Angelina
Jolie), which in good-cop, bad-cop fashion leads to the hostility
of her new partner Paqeutte (Olivier Martinez) and the
cooperation of Leclair (Tcheky Karyo). When Costa (Ethan
Hawke), an artist by profession, turns up as an eyewitness to
one of the murders even drawing an accurate sketch of the
killer he is informally teamed up with Agent Illeana, a single
woman who falls completely in lust with the sexy albeit
effeminate young man.
Ethan Hawke does his best with a slight stutter, a kind of Bob
Newhart lite, while Angelina Jolie waits for the appropriate to
time to bear her bosom while wholly enraptured by her hots for
this artist.
There is scarcely a scene in the movie that's believable nor
does D.J. Caruso's by-the-numbers direction yield the slightest
uniqueness of style.
Rated R. 105 minutes.(c) 2004 by Harvey Karten at
Harveycritic@cs.com
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X-RT-RatingText: D
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