SPARTAN
Reviewed by: Harvey S. Karten
Grade: B-
Warner Bros./Franchise Pictures
Directed by: David Mamet
Written by: David Mamet
Cast: Val Kilmer, Kristen Bell, Derek Luke, William H. Macy
Screened at: Warner Bros., NYC, 5/8/04
In Jamie Uys's offbeat comedy "The Gods Must be Crazy," a
South African Bushman, having seen his first blonde, states that
he never before saw a woman so ugly. "Everyone likes
blondes: that's why we're here," barks a high-level operative in
the United States Government, without realizing the opposing
view of his fellow human being out in the bush. If we accept the
premise of "Spartan," yet another thriller from the pen of director
David Mamet, the universal affection for blondes fuels a white-
slavery ring that kidnaps young, fair-skinned women, preferably
of college age, and hustles them off to Dubai where they
apparently serve at the pleasure of the sheiks. It's up to the
special operatives of the U.S. the CIA, the FBI, the Secret
Service and various and sundry top secret organizations to
break up the ring and get back the blondes, or what's a red-
blooded fraternity boy gonna do?
David Mamet, whose best screenplays include a vivid
reshaping of Chekhov's "Uncle Vanya," a comic "Wag the Dog"
(inspired by the alleged technique of high government officials
to distract the public from economic woes by inciting foreign
wars), and "Glengarry Glen Ross," a masterwork about the
wheeling and dealing that form the basis of capitalism, is not
exactly running on automatic pilot this time around. In fact once
you get into the swing and begin to comprehend what's going
on, you can become absorbed trying to guess the allegiance of
the men and women in counter-espionage activities. Of course
since the CIA is involved, we've come to expect some nasty
goings-on involving rogue agents and missions that are kept
secret to avoid embarrassing the administration currently in
power.
The plot revolves around a Harvard student, Laura Newton
(Kristen Bell), who has been kidnaped by a white-slave ring, a
practice which gets the attention of the White House because
(Mamet implies) Laura is the president's daughter. How could
a girl who is tailed every moment of her life by a team of secret
service agents possibly fall into the hands of these slavers,
particularly since they'd never dream of calling attention to
themselves by taking the chief executive's daughter? That and
other questions become clearer once Mamet gets us past an
opening scene that could have come out of a training camp
dreamed up by Oliver Stone involving a hierarchy of
commandoes including mid-level Robert Scott (Val Kilmer) who
barks orders to a naive recruit, Curtis (Derek Luke) and is in turn
bossed around by a top dog in the department (Ed O'Neill).
Scott has been thoroughly indoctrinated with the mission of his
department the sort who'd take a bullet to save the president
and act on the orders of his superior without question. Assigned
to recover the girl from her captors, involving not only a trip to
Dubai where the Secret Service enjoys special storage
privileges at the airport, but also a series of raids on local
houses that serve as a kind of underground railroad for the illicit
commerce.
Though the action is taut, the dialogue coming across as the
usual Mamet-speak of staccato rhythms and repetitions, the
writer-director takes too much time looking into the training
program before getting into the real story. Nor is the action in
Dubai, which involves particular input from Agent Stoddard
(William H. Macy), convincing. As complications pile up during
the bracing conclusion of the tale, we wonder exactly how Scott
expects to transport the unhappy young woman back to the
States, particularly since the Harvard student is not too thrilled
about going home.
Val Kilmer, the perfect robo-cop who "finds himself" when he
disobeys an order for the first time, could easily replace the
California governor in future actioners as long as that state's
chief exec is busy dealing with gay marriages rather than rival
cyborgs. As for where the title of this movie comes from when
it's not mentioned anywhere in the story, well, that's Greek to
me.
Rated PG-13. 106 minutes.(c) 2004 by Harvey Karten at
Harveycritic@cs.com
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X-RT-RatingText: B-
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