Saw opens with a gruesome scenario: Two men are chained to the walls of a grimy bathroom with a bloody corpse lying on the floor between them. Tape recordings tell them that one of the men has to kill the other, or his wife and child will die. The corpse is holding a gun in one hand, but it's out of reach...but whoever has locked these two up has thoughtfully provided a hacksaw that can't cut through the heavy chain, but might cut through a little flesh and bone. From there, Saw jumps back and forth as the two men slowly unravel how they know each other and that their tormentor is one of those all-knowing, all-capable serial killers (it goes without saying that Saw is hugely influenced by Seven and the movies of Dario Argento), a fellow known as Jigsaw who disguises his voice and lets a creepy puppet (lifted almost directly from the eccentric animations of the Brothers Quay) be his visual representative. But imitation isn't inherently bad; what puts Saw ahead of its horror compatriots is a gleeful enthusiasm that a dozen sequels to Halloween couldn't muster. Saw has problems--it's clumsily overwritten (every detail of what's going on, no matter how visually evident, will be explained by the characters); most of the situations are static and implausible; and though the cast includes talented veterans like Cary Elwes (The Princess Bride) and Danny Glover (Lethal Weapon), the acting has the depth of a puddle. The rapid pace and frequently frenzied camerawork keep things in motion and while the philosophical underpinnings of Jigsaw won't challenge Hegel or Schopenhauer, they do offer more food for thought than most contemporary horror. Discriminating fans of the genre who like their gore with a glimmer of an idea will embrace Saw.
The Uncut Edition differs only slightly from the theatrical release; it reinserts a little more gore that was cut to get an R rating and tightens up the editing (the uncut version is actually a teensy bit shorter than the theatrical release). The extras are plentiful (if a bit thin): Two audio commentaries (one by director James Wan, screenwriter/actor Leigh Whannel, and Elwes), one by the producers--thankfully, no one takes themselves too seriously. Also included are a trio of typically self-congratulatory making-of featurettes ("He was amazing to work with" etc.), an animated storyboard of a sequence they couldn't afford to shoot, a DVD-ROM game in which you can construct your own puppet, a couple of self-mocking Easter Eggs, and lots of promotional stuff for Saw II. There's a very curious faux-news show purporting to be an investigation of the "real" Jigsaw, which uses clips from the movie as if they were documentary footage--it's hard to say whether this is a misguided attempt to make the movie seem creepier or a bit of flimsy humor. Most fans will find the regular DVD release satisfactory; this special edition is largely for hardcore enthusiasts. --Bret Fetzer
(67 votes)
2.
Every Puzzle Has Its Pieces.
Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer is abducting morally wayward people and forcing them to play horrific games for their own survival. Faced with impossible choices, each victim must struggle to win back his or her life, or else die trying...
(65 votes)
3.
Every Puzzle Has Its Pieces. Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer abducts the morally wayward. Once captured, they must face impossible choices in a horrific game of survival. The victims must struggle to win back his or her life, or else die trying... An all new Unrated Version - Too Bloody For Theatres!
(61 votes)
4.
A young man named Adam (LEIGH WHANNELL) wakes to find himself chained to a rusty pipe inside a decrepit subterranean chamber. Chained to the opposite side of the room is another bewildered captive, Dr. Lawrence Gordon (CARY ELWES). Between them is a dead man lying in a pool of blood, holding a .38 in his hand. Neither man knows why he has been abducted; but instructions left on a microcassette, order Dr. Gordon to kill Adam within eight hours. If he fails to do so, then both men will die, and Dr. Gordon’s wife, Alison (MONICA POTTER), and his daughter will be killed. Recalling a recent murder investigation by a police detective named Tapp (DANNY GLOVER), Dr. Gordon realizes he and Adam are the next victims of a psychopathic genius known only as “Jigsaw.” With only a few hours left to spare, they must unravel the elaborate puzzle of their fate in the midst of mounting terror. The killer has provided them with only a few clues and two handsaws – too weak to break their steel shackles, but strong enough to cut through flesh and bone…
(63 votes)
5.
How far would you go to save your own life? Prepare yourself for a gut-wrenching trip into the heart of terror with SAW, Lions Gate Films’ gripping horror film starring Cary Elwes, Danny Glover, Monica Potter and Leigh Whannell. Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer is abducting morally wayward people and forcing them to play macabre games for their own survival. Faced with impossible choices, each victim must struggle to win back his/her life, or else die trying…
A young man named Adam (LEIGH WHANNELL) wakes to find himself chained to a rusty pipe inside a decrepit subterranean chamber. Chained to the opposite side of the room is another bewildered captive, Dr. Lawrence Gordon (CARY ELWES). Between them is a dead man lying in a pool of blood, holding a .38 in his hand. Neither man knows why he has been abducted, but instructions left on a microcassette order Dr. Gordon to kill Adam within eight hours. If he fails to do so, then both men will die; Dr. Gordon’s wife, Alison (MONICA POTTER), and his daughter will also be killed. Recalling a recent murder investigation by a police detective named Tapp (DANNY GLOVER), Dr. Gordon realizes he and Adam are the next victims of a psychopathic genius known only as “Jigsaw.” With only a few hours left to spare, they must unravel the elaborate puzzle of their fate in the midst of mounting terror. The killer has provided them with only a few clues and two handsaws - too weak to break their steel shackles, but strong enough to cut through flesh and bone…
Gritty and terrifying, SAW is a taut, squirm-inducing film packed with moments of indelible horror. Director James Wan expertly spins this intricate tale, creating a chilling landscape of dread where nothing is quite as it seems. An edge-of-your-seat ride bristling with emotional intensity, SAW will keep you guessing until the very end. Keep the lights on; you won't sleep easily tonight.
(60 votes)
6.
Adam (Leigh Whannell) wakes up in a dank room across from Dr. Lawrence Gordon (Cary Elwes) and the body of a guy who has blown his own brains out. Not a happy place, obviously, and it gets worse when both men realize that they've been chained and pitted against one another by an unseen but apparently omniscient maniac who's screwing with their psyches as payment for past sins. Director James Wan, who concocted this grimy distraction with screenwriter Whannell, has seen Seven and any number of other arty existential-psycho-cat-and-mouse thrillers, so he's provided Saw with a little flash, a little blood, and a lot of ways to distract you from the fact that it doesn't make a whole hell of a lot of sense.
Wan and Whannell (who's not the most accomplished actor, either) pile on the plot twists, which after some initially novel ideas become increasingly juvenile. Elwes works hard but looks embarrassed, and the estimable Danny Glover suffers as the obsessed detective on the case. The denouement will probably surprise you, but it won't get you back the previous 98 minutes.--Steve Wiecking
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