"Harry Potter and the Prisoner of Azkaban"
Harry (Daniel Radcliffe), Ron (Rupert Grint) and
Hermione (Emma Watson) are heading back for their
third year at the now-famous school of magic and
wizardry. But, as the magical train takes them back to
Hogwarts it is abruptly stopped and Harry is
confronted by a soul sucking Dementor searching for a
dangerous escaped wizard in "Harry Potter and the
Prisoner of Azkaban."
I've read the first four of the Potter books, liked
the newness of the first, was bored by the sameness of
the second and developed a grudging acceptance of the
third and forth. As to the first two "Potter" movies
by director Chris Columbus, I felt pretty much the
same. The first did a good job of adapting J.K
Rowling's book to the big screen and it was a
well-crafted F/X extravaganza. The kids established
themselves pretty well, too. The second installment
was more of the same – bigger, better and more
bombastic special effects – including yet another
Quiddich match. (I had had enough the first time
around.)
For "Harry Potter and the Prisoner of Azkaban,"
now-producer Columbus and company have hired on
Mexican helmer Alphonso Cuaron ("Y Tu Mama Tambien")
to direct the third installment of the lucrative
franchise, as the child wizard-in-training becomes a
teenager. The choice, to me, is a major improvement
over the previous installments for a number of
reasons. First and foremost is how the magical aspects
of Hogwarts – the living paintings, ghosts wandering
the rooms, candles floating in midair and scary
Dementors – are given matter of fact treatment. Cuaron
and his obviously talented crew, utilizing Steve
Kloves's solid screenplay (his third "Potter" script)
make this magical world, filled with illusion, feel
normal. This allows the second thing I found
thoroughly enjoyable in part three of the series.
One of the things that have always been consistent in
the "Potter" films is the fine job done in casting all
the incredible characters that populate this magical
universe. Richard Harris gave a fragile strength to
his headmaster Dumbledore and his passing could have
dealt a blow to "Prisoner" (but does not). Maggie
Smith, Alan Rickman, Julie Walters, Fiona Shaw,
Richard Griffiths, Robbie Coltraine and others appear
in the first and/or the second and reprise their roles
again here. But, there is a new who's who of British
actors that attached themselves to this project in a
big way.
Of course, the kids do a fine job as Radcliffe, Grint
and Watson show real maturity in their perfs and are
quite comfortable with their characters. The newcomers
joining them in this latest adventure are some of
England's finest actors: Michael Gambon, filling the
shoes of Hogwarts Headmaster Albus Dumbledore; Gary
Oldman as the sinister title prisoner, Sirius Black;
David Thewlis appears as Professor of Defense Against
the Dark Arts, Remus Lupin; Emma Thompson (who steals
the show during her brief on-screen time) is Professor
Trelawney, in charge of Divination; Timothy Spall is
the rat-like pivotal character, Peter Pettigrew in
Harry's on-going quest to unravel the mystery of his
parent's death.
The third thing I really like about "Harry Potter and
the Prisoner of Azkaban has nothing to do with story
or actors. It has to do with the one effect that
knocked my socks off – the Hippogriff. Fans of the
book will remember this amazing creature but the F/X
team has created something that even the great Ray
Harryhausen would be pleased with. Buckbeak (that's
his name) is the magical combination of an eagle and a
horse that is the subject of Rubeus Hagrid
(Coltraine), the new Care of Magical Creatures
teacher. It might be a bit hokey as Harry bonds with
Buckbeak then take off astride the flying creature but
it sure made me want to have one of my own.
Harry's story continues as he enters his third year at
Hogwarts and learns that Sirius Black, the wizard who
is professed to be after young Potter, has escaped his
Dementor torturers at the notorious Azkaban Prison for
malefactors of magic. Black is heading straight to
Hogwarts and Dumbledore is forced to enlist the deadly
Dementors to guard the gates of Hogwarts. Meanwhile,
Professor Lupin has taken Harry under his wing and
teaches the lad, scared to almost paralysis by the
evil guardians, how to use his magic to control these
unrelenting demons. But things are not what they seem
and Harry learns some life affirming lessons as the
lines of good and evil are redrawn by the end of
"Harry Potter and the Prisoner of Azkaban."
Director Cuaron shows his skill with actors as he
elicits sound, even endearing performances form his
fine cast. The new additions make the biggest splash
with Thewlis giving dimension to his aptly named Remus
Lupin. Gary Oldman, always a treat to see, first
appears as the raving moving image in a wanted poster
for Sirius Black. He maintains his sinister, menacing
air and his transformation of character, by the end,
is quite well done. Michael Gambon does not disappoint
as the new Dumbledore and adds some wry humor to his
character. Emma Thompson is really quite marvelous as
the near sighted, theatrical Professor Trelawney, who,
when reading Harry's tea leaves, sees an omen of
death, the Grim. Timothy Spall has some fun as the
rodent like Pettigrew. Robbie Coltraine continues his
portrayal of Hagrid to good effect. Alan Rickman,
always a pleasure to watch, continues his nuance
performance as the distrustful and arrogant Professor
Snape. Maggie Smith, as Professor McGonagall, has
little screen time as the aging wizardess.
I was hopeful, going in to "Harry Potter and the
Prisoner of Azkaban" due to the involvement of
Alphonso Cuaron, a director I have respected since I
saw his enchanting "A Little Princess" (another film
that I highly recommend). He lends a dark edginess to
his interpretation of J.K. Rowling's tale and makes it
better. It is the best entry, yet, in the series and I
give it a B+.
For more Reeling reviews visit www.reelingreviews.com
robin@reelingreviews.com
laura@reelingreviews.com
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