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People who managed a sneak peek at The Girl Next Door are relentlessly
comparing it to teen classics of yore. And rightfully so, as The Girl
deserves to be mentioned in the same breath as Fast Times at Ridgemont High,
Say Anything, Clueless and Election in terms of Movies That Helped Define a
Generation. Shocking? Yes (we'll get to why a little later on in the
show). Many cinematically link The Girl with Risky Business as well, but I
found it to be equally akin (if not more so) to Jonathan Demme's Something
Wild.
In Wild, a milquetoast Joe (Jeff Daniels) is taken on a series of dangerous
adventures by a sexy woman (Melanie Griffith) with a penchant for making
rash decisions just for the hell of it and, eventually, finds himself in
perilous conflict with her man (Ray Liotta). In The Girl, the stiff is
Matthew Kidman (Emile Hirsch, The Emperor's Club), the Georgetown-bound
class president at a high school where he's practically invisible amongst
the loudmouth jocks and cheerleaders. Even though Matthew has raised
$25,000 to "rescue" a brilliant but impoverished Cambodian teen and has been
shortlisted to receive a desperately needed college scholarship, he realizes
he doesn't have one lasting memory of doing anything fun during his
four-year stint in high school.
Enter Danielle, the hottest girl in the world (played by the hottest girl in
the world, Elisha Cuthbert), who is house-sitting for an aunt who happens to
live right next door to Matthew. The two meet really cute and strike up a
fast friendship rooted in Danielle's numerous "just go with it" attempts to
pull Matthew out of his shell and into the real world. It works, and as the
fledgling couple approaches the notion of taking their relationship to a
higher level, a bombshell is dropped: Matthew's porn-obsessed friend Eli
(Chris Marquette, Joan of Arcadia) discovers Danielle is actually a star of
films geared toward adult entertainment. What's more, her scary
producer/pimp Kelly (Timothy Olyphant, A Man Apart) shows up in town to haul
his bukkake queen back into the business.
What follows is Matthew's attempt to reconcile the genuine feelings he has
for Danielle with a loathing of what she's done (and a fear of what Kelly
might do to him). It's incredibly sweet, crass as all get out, and the
twisty-type ending even misted me up a little bit. So how did this happen?
How does a film directed by Luke Greenfield (The Animal) and written by
David T. Wagner and Brent Goldberg (Van Wilder, My Baby's Daddy) manage to
be this entertaining and have its release pushed back a month after testing
through the roof following a national sneak preview?
Here's one theory: Greenfield made The Animal to get his foot in the door
(he already had an award-winning short under his belt), and, together with
co-writer Stuart Blumberg (Keeping the Faith), polished up what would have
been a script for another throwaway teen sex romp. The two went at it like
a pair of Cameron Crowes, injecting The Girl with youthful enthusiasm and a
string of infectious songs that won't date the film when you watch it in
2024 (unlike, say, Shrek). The music is all over the map - The Who, Mogwai,
Filter, Marvin Gaye, Sloan, Muddy Waters and David Gray - but it all fits
perfectly, and that's something that really gets my juices flowing.
The Girl is the movie that's going to make Hirsch a star (he practically
channels Arnie Grape in scenes where he's accidentally taken a couple of
Ecstasy tablets) and Cuthbert even more of a spank fantasy (she doesn't have
as much to do, other than looking like the Holy Grail of women). There are
minor things to nitpick, like aping Risky Business a little too much (the
music used to create tension is almost identical, as is the sex scene which
is now transplanted from the train to a limo) and having some pretty decent
but largely inconsequential plot holes.
And how could you not love a movie which contains, if you look really
closely, a couple of scenes with David Daskal, the professional nerd who
should have won Average Joe: Hawaii?
1:49 - R for strong sexual content, language and some drug/alcohol use
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X-RAMR-ID: 37210
X-Language: en
X-RT-ReviewID: 1257410
X-RT-TitleID: 1130343
X-RT-SourceID: 595
X-RT-AuthorID: 1146
X-RT-RatingText: 8/10
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