ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004)
Rating: 5/5 stars
Date of Review: May 2nd, 2004
REVIEW BY JOHN ULMER (Copyright, 2004)
"How happy is the blameless vestal's lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray'r accepted, and each wish resign'd."
- Alexander Pope
Michel Gondry's "Eternal Sunshine of the Spotless Mind" is a bizarre
but wonderful movie, a very strange and remarkably tender experience,
which I suppose is only to be expected from screenwriter Charlie
Kaufman, the man behind "Being John Malkovich."
The film was produced by Focus Features ("Lost in Translation," "21
Grams"), a company which strives to offer original, quality films to
the true cinema lovers. If the company keeps producing films this
good, they may become hugely successful in the future, if not already.
The previews portrayed the movie as a bouncy, cheery comedy in the
vein of "Adaptation," the last film written for the big screen by
Charlie Kaufman, when it is really a tender movie about love and
romance. This is Jim Carrey's best performance to date, and may open
the eyes of his prejudiced haters who have only imagined him as Ace
Ventura and a certain cable guy for his entire career. No snippy
quotes, outrageous humor or bizarre antics in "Sunshine" -- Carrey
plays a true, realistic, three-dimensional character named Joel
Barrish, who plans to have memories of his girlfriend, Clementine
(Kate Winslet), erased by a new company called Lacuna, after he
discovers that she herself has had the procedure performed only a week
before. Joel meets with the company's founder, Dr. Howard Mierzwiak
(Tom Wilkinson), and is informed that the procedure -- although
"technically" brain damage -- is on par with a heavy night of
drinking. "Nothing you'll miss much," he is told, as he plunges into a
bizarre world of long forgotten memories.
The entire process of the operation is quite fascinating, really, if a
bit reminiscent of an idea founded by none other than one of Kaufman's
favorite writers, Philip K. Dick, who wrote the source short story for
the Ah-nuld movie "Total Recall." All items relating to the person you
want erased from your brain are assembled together, and the
technicians at Lacuna (Mark Ruffalo and Elijah Wood) then "map" an
outline of your memories, which are supposedly stemmed together. I
have my doubts about the seriousness and remote possibility of such a
procedure being performed, and the explanation is quite simply utter
bull, but we don't care because the entire erasing of Joel's memories
serves as a backdrop for a deeper meaning: If you could forget about
past romances, would you really want to? And if so, would you be
willing to sacrifice all the good ones, along with the bad ones?
The conclusion that "Sunshine" arrives at is, to be totally truthful,
as honest as can be. During the procedure, Joel's subconscious
realizes that it doesn't want to let go of its memories of Clementine,
and so begins a strange labyrinth of fragmented memories, constantly
changing surroundings, and mental materializations of Clementine. The
movie is like a very bizarre dream, when you're trying to interact
with people, but they're not responding, and you shout and try to get
their attention but they don't seem to notice. Joel's entire odyssey
of the interior of his mind makes "Being John Malkovich" look normal
-- but as I didn't like "Malkovich" very much, and thought its
strangeness was unjustified, it fits perfectly in "Sunshine" -- there
are some great special effects, such as when Joel is wandering through
his own memories, drifting in and out of sleep, hearing the voices of
the technicians erasing his memories and watching as objects and areas
around him vanish and deconstruct. It's so bizarre but yet also so
beautiful. Gondry was a former music video director (his complete
works are available on DVD) and he is the perfect candidate for this
project, having worked with Kaufman before on the 2001 flop "Human
Nature." It seems that he has finally found a unique directing style
that ties in perfectly with the underlying themes of the movie.
There is a very deep message in "Sunshine," and it is arguably
Kaufman's deepest film to date. Love and romance and memories of both
have rarely been examined as thought-provokingly and tenderly as they
are in this wonderful motion picture. The movie has a very profound
message that all viewers should pay attention to. There are many small
intricacies in the film, surely picked up on more thoroughly on repeat
viewings, and the entire construction of the movie is completely
enthralling and intelligent. I saw two people leave the rather empty
theater during the screening I attended. It tanked in the US and I
predict it will do the same in the UK, which is a shame, because this
is the smartest film of 2004 and has the most to say about our lives
than any other film this year. While everyone flocks to see the new
Denzel Washington action movie, "Eternal Sunshine of the Spotless
Mind" is forgotten, which is quite depressing -- people would rather
spend their money on forgettable entertainment than view something
unique that has something important at its core.
I think what the movie finally asks us after its long, emotional
journey, is would we want our own memories erased? And if so, what
would the consequences be? A lesser film might examine this idea
poorly -- "Sunshine" is not. It is perfect in almost every conceivable
way, and anyone who complains that it is not original must be joking
-- in my entire lifetime, this is one of the most unique film
experiences I have ever had.
"Eternal Sunshine of the Spotless Mind" is a beautiful movie,
eloquently voiced by Gondry, firmly constructed and rooted in an eerie
nightmarish fantasy land where anything is possible. It's beautiful,
it's bizarre, it's exceptional, it's funny, it's lovely, it's
touching, it's witty, and it's one of the best movies I have ever
seen.
- John Ulmer
http://www.wiredonmovies.com
e-mail: webmaster@wiredonmovies.com
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