The Door in the Floor explores the complexities of love in its brightest, most mysterious, and darkest corners. The Door in the Floor is directed by Tod Williams, whose screenplay is adapted from John Irving's best-selling novel A Widow for One Year.
Set in the beach community of East Hampton, New York, the film chronicles one pivotal summer in the lives of famous children's books author Ted Cole (Jeff Bridges) and his beautiful wife Marion (Kim Basinger). Their once-great marriage has been strained by tragedy. The Coles lovingly parent their surviving child, bright 4-year-old Ruth (Elle Fanning), who takes everything in stride as perhaps only a child can. But Marion's equation of love with loss, coupled with Ted's infidelities, points towards a much-needed change in the relationship. That may come in the form of Eddie O'Hare (Jon Foster), the young man Ted hires to work as his summer assistant - and, Ted hopes, the catalyst to invigorate the Coles' bond of marriage.
Eddie idolizes Ted, but Ted's erratic work habits soon leave Eddie to his own devices. Marion becomes an object of desire for Eddie, rekindling in her some surprising emotions as a mother and as a woman. To Eddie's surprise and delight, his yearning is potently reciprocated.
As he becomes passionately entwined with the seemingly fragile yet increasingly bold Marion, Eddie comes to realize that, similarly, Ted's surface fecklessness hides something deeper within. As the summer draws to a close, Marion and Ted must make difficult decisions about the future of their family.
Set in the beach community of East Hampton, New York, the film chronicles one pivotal summer in the lives of famous children’s books author Ted Cole (Jeff Bridges) and his beautiful wife Marion (Kim Basinger). Their once-great marriage has been strained by tragedy. The Coles lovingly parent their surviving child, bright 4-year-old Ruth (Elle Fanning), who takes everything in stride as perhaps only a child can. But Marion’s equation of love with loss, coupled with Ted’s infidelities, points towards a much-needed change in the relationship. That may come in the form of Eddie O’Hare (Jon Foster), the young man Ted hires to work as his summer assistant – and, Ted hopes, the catalyst to invigorate the Coles’ bond of marriage.
Eddie idolizes Ted, but Ted’s erratic work habits soon leave Eddie to his own devices. Marion becomes an object of desire for Eddie, rekindling in her some surprising emotions as a mother and as a woman. To Eddie’s surprise and delight, his yearning is potently reciprocated.
As he becomes passionately entwined with the seemingly fragile yet increasingly bold Marion, Eddie comes to realize that, similarly, Ted’s surface fecklessness hides something deeper within. As the summer draws to a close, Marion and Ted must make difficult decisions about the future of their family.
(13 votes)
4.
Jeff Bridges demonstrates once again that he is one of the finest actors in film. Ted Cole (Bridges, Seabiscuit, The Big Lebowski), a successful writer/illustrator of children's books, invites a young student named Eddie (Jon Foster) to be his assistant for a summer. Eddie doesn't realize he's being drawn into the middle of a dissolving marriage until Ted's wife Marion (Kim Basinger, L. A. Confidential) invites him into an affair--which Ted both condones and resents. Slowly, Eddie comes to understand the secrets that are tearing the marriage apart. Bridges never shows off; everything he does seems simple, natural, almost unavoidable, but it's also utterly watchable. Whether you like the movie will depend on whether you like John Irving (The Door in the Floor is based on part of his novel A Widow for One Year), but Bridges's performance is undeniable. Also featuring Mimi Rogers (The Rapture). --Bret Fetzer
DVD features Writer-director Tod Williams (who everyone calls "Kip") brings in his production team for the commentary track focusing on the making of the film and the tricks of the trade. There is no blow-by-blow of the differences between John Irving's novel and the film (based on the first third of his novel), but the author talks for 15 minutes in another extra and certainly gives Williams his stamp of approval. The 30-minute making-of segment can be the poster-child for DVD featurettes: the main players talk, the information is not the same from the commentary track, plus it's interesting and feels pretty complete. --Doug Thomas
(11 votes)
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