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Being Julia (2004)

User Rating
72%
(44 votes)
Critic Rating
71%
(10 reviews)
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Directed by
István Szabó

Written by
Ronald Harwood, W. Somerset Maugham

Cast
Michael Gambon, Annette Bening, Leigh Lawson, Shaun Evans, Mari Kiss [more]


Release Date
• USA: Oct 15, 2004
• UK: 19 Nov 2004
DVD Release Date
• R1: Mar 22, 2005

Budget USD 18,000,000
BoxOffice: $3.8M

Official Website:
Being Julia Website

MPAA Rating
Rated R for some sexuality.

Running Time
1 hour, 45 minutes

Country Canada, USA, Hungary, UK

Production Companies
Serendipity Point Films, First Choice Films, Hogarth Productions, Myriad Pictures Inc.

Studio Astral Media, Corus Entertainment, First Choice Films, My, Serendipity Point Films, Telefilm Canada

More info on IMDb.com

Other Titles
• Being Julia (2004)
• Csodálatos Júlia



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Review of Being Julia (2004) by Mark R. Leeper

                            BEING JULIA
                (a film review by Mark R. Leeper)

CAPSULE: A well-produced look at the London stage in

pre-war London, based on a novella by Somerset Maugham.

     The characters may not be as endearing as intended.
     Rating: low +2 (-4 to +4) or 7/10

Based on Somerset Maugham's novella "Theater," BEING JULIA

presents a portrait of London's dramatic community in 1938. The

film centers on the affairs--literally and figuratively--of Julia

Lambert (played by Annette Bening in flawless British accent) in

this story the great star of the London stage. Julia is burning

out on her acting career and threatens to leave the stage, but is

revitalized by a visiting American fan Tom Fennell (Shaun Evans).

She decides to seduce Tom, cheating on her long since platonic

husband (Jeremy Irons in a good but disappointingly secondary

role). Bruce Greenwood plays a close friend long falsely assumed

by all to be Julia's paramour.

Maugham creates some rich characterizations that are engaging and

credible though not always likable. Julia is known to never stop

acting, as everyone notices. But she is clever in the ways she

finds ways to work her will on other people. In her tightly knit

acting community people rarely can fool each other for long,

though they frequently try. Julia imagines advice from her

deceased former mentor (the always-excellent Michael Gambon).

One problem American viewers will have is that the plays are acted

in an affected dramatic style, since abandoned. While the viewer

is expected to recognize when acting is good or bad, because of

the stentorian style it may never seem good. There seem to be

serious logic flaws with the climax of the film, but I will not

reveal them to avoid plot spoiling.

The film was shot in large part in Hungary, which can still be

made to look like pre-war London. (Presumably it would be

hopeless to try with the real London.) Look for one remarkable

scene early in the film where with one look Miriam Margolyes as

Dolly defines her character and her relation to Julia. [-mrl]

                                        Mark R. Leeper
                                        mleeper@optonline.net
                                        Copyright 2004 Mark R. Leeper
==========
X-RAMR-ID: 38811
X-Language: en
X-RT-ReviewID: 1327048
X-RT-TitleID: 10002492
X-RT-AuthorID: 1309
X-RT-RatingText: 7/10


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