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Van Helsing (2004)

User Rating
48%
(393 votes)
Critic Rating
51%
(26 reviews)
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Directed by
Stephen Sommers

Written by
Stephen Sommers

Cast
Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, Shuler Hensley [more]


Release Date
• USA: May 7, 2004
• UK: 7 May 2004
DVD Release Date
• R1: Oct 19, 2004
• R2: 11 Oct 2004

Budget $95,000,000
BoxOffice: $99.9M

Official Website:
Van Helsing Website

MPAA Rating
Rated PG-13 for nonstop creature action violence and frightening images, and for sensuality.

Running Time
2 hours, 12 minutes

Country USA, Czech Republic

Production Companies
Carpathian Pictures, Universal Pictures, Stillking Films, The Sommers Company

Studio Sommers Company Production, Stephen Sommers Film, Universal

More info on IMDb.com

Other Titles
• Van Helsing (2004)



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Review of Van Helsing (2004) by Andy Keast

Van Helsing (2004): * out of ****

Written and directed by Stephen Sommers. Starring Hugh Jackman, Kate

Beckinsale and Richard Roxburgh.
by Andy Keast

I imagine any random glance at the script to "Van Helsing" must read like so:

EXT. SPOOKY-LOOKING VILLAGE - NIGHT

It's dark and overcast. Everyone is dressed in black, the trees are bare.

Characters engage in 1 to 2 minutes of expositional dialogue, using fourth

grade English to explain everything that happens while it's happening. Then:

Characters engage in an overblown perilous battle scene for 30-40 minutes.

CUT TO…

And so on. At 132 minutes, Stephen Sommers' "Van Helsing" spends far too much

time doing absolutely nothing. It takes some two or three interesting ideas

and buries them underneath the tonnage of tiresome action. There is a sequence

where an order of monks leads Van Helsing (Hugh Jackman) through a sort of

Catholic "Q Section" (conveniently located under San Pietro) where they have

been toiling away at progressive weaponry to be used for battling monsters.

Cute idea -a post-Crusades church engaged in a covert war against evil- though

the scene ends up being a throwaway. Meanwhile, the rest of the story is

pasted together from bits and pieces of the Universal monster films, the

Dracula mythology, "Vampire Hunter D" and two dozen or so other B movies. The

opening sequence, for example, is shot-for-shot copy of James Whale's

"Frankenstein."  Why?  

I know: a month ago I raved about "Kill Bill" doing precisely the same thing.

The difference is that while watching Tarantino's film one can sense his love

for his genre influences, a distinction to his writing and careful direction.

"Van Helsing" is just an uninspired, colossal mess. The visual effects are

terrible. I'll say that even audience members who don't notice the elements of

photography, editing, design while watching a movie will notice how badly

everything is put together. Ridiculous merry-go-round action sequences roar on

and on and on to the point where you'll want to leave the theater to take a

break from all the noise. Imagine hiring Kenneth Branagh to direct a B monster

movie, and then on the first day of shooting, feeding him large doses of E.

You get the idea. 

Oh yes, Richard Roxburgh: one of the most embarrassing miscast actors I've seen

in any role in recent years. I could believe him as a Bond villain, or perhaps

even a similar sadistic killer, but not a seductive creature of the night.

Where do you go after the role has been played by Bela Lugosi, Frank Langella

and Gary Oldman? Roxburgh looks more like an attendee at a Halloween party, or

one of those annoying drama students you knew in high school, the ones that

always made idiotic spectacles of themselves by wearing a cape and hat in the

classroom. I would joke that Frankenstein's monster (Shuler Hensley) might as

well have been a role reprised by Peter Boyle, but this is below Boyle. Way

below.

I believe there is only one possible way to enjoy "Van Helsing," and that is

for the viewer to be approximately twelve years old. What other way would an

audience member be able to appreciate the following: a 19th Century carriage

that explodes when toppled to the ground, as if it had been constructed out of

dynamite, characters that swing between castle towers on cables suspended from

undisclosed locations in the sky, or a confession booth equipped with a spiny

trap door. Did the monks come up with these as well?

==========
X-RAMR-ID: 37784
X-Language: en
X-RT-ReviewID: 1281778
X-RT-TitleID: 1132255
X-RT-AuthorID: 9883
X-RT-RatingText: 1/4


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