EXORCIST: THE BEGINNING
A film review by Steve Rhodes
Copyright 2004 Steve Rhodes
RATING (0 TO ****): * 1/2
"He's coming for you. He's coming for you," proclaims little Joseph (Remy
Sweeney), the designated innocent child in the EXORCIST: THE BEGINNING. As you
watch this snoozer of a horror picture, you'll be thinking he's coming for you
too. Your "he," however, won't be some devil figure but the sandman, since
this exceedingly lame production has few frights and not much story either.
This prequel to the already oversequeled EXORCIST was originally going to be
helmed by John Frankenheimer, but he died during the preparatory work for the
film. After his demise, Paul Schrader took over and completely filmed the
movie, but in postproduction he was fired by the studio, reportedly for
committing the crime of not making the movie horrific enough. After that, the
studio hired Renny Harlin (CUTTHROAT ISLAND), an obvious choice if one wants
some cheesy gore. Although I haven't seen the Schrader version, it would have
to be more interesting than Harlin's DOA film. About the only thing even
mildly noteworthy about it and the only possible part of it to give you any
reason to try to stay awake is Vittorio Storaro's artistic cinematography,
which keeps compelling you to watch a story with no interest other than its
photographic panache.
Unlike THE EXORCIST, with its famous
hey-mom-look-how-I-can-do-a-360-with-my-head scene, there is not a memorable
moment in the EXORCIST: THE BEGINNING. A slumming Stellan Skarsgård, who
plays the film's lead, will probably be pleased that this movie is so instantly
forgettable.
EXORCIST: THE BEGINNING runs a long 1:54. It is rated R for "strong violence
and gore, disturbing images and rituals, and for language including some sexual
dialogue" and would be acceptable for teenagers.
The film is playing in nationwide release now in the United States. In the
Silicon Valley, it is showing at the AMC and the Century theaters.
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