"Dawn of the Dead"
In 1979 George Romero followed up his classic horror
flick "Night of the Living Dead" with his
tongue-in-cheek gore fest sequel about zombies
invading a shopping mall. Now, a quarter century
later, first time helmer Zack Snyder retells the
supernatural survival story and puts his own spin on
"Dawn of the Dead."
This new millennium update to Romero's classic sequel
(and it is a classic in its own right) doesn't have
the benefit of originality but it does pay its
predecessor due homage. The satirical fun of its canny
observations of our mall-oriented society - "It's some
kind of instinct" one character intones of the
zombies' attraction to our new Mecca (reprising the
line from the '79 movie) - is crossed with action,
humor and, like the original, lots of groovy gore.
The pre-credit prologue introduces Ana (Sarah Polley),
an ER nurse, who questions why a patient with a bite
wound on his hand would be given a brain scan. This
thoughtful reflection is soon replaced by reality when
her husband is attacked by a badly mutilate neighbor
child, ripping his throat out. The child rushes at Ana
only to be stopped by a slammed door. Just when she
thinks she is safe her now dead husband comes suddenly
to life and attacks Ana. She escapes with just a
heartbeat to spare only to face a crazed world where
the undead are slaughtering the human race. This
opener runs a full eight minutes before the starting
credits come up and sets the tone of the film.
"Dawn of the Dead" doesn't attempt to remake the
Romero film. Instead, it caters to the tastes and
style of its new millennium audience. With so much
time intervening between films a whole new set of
schlock horror fans, well versed in the zombie genre,
has been spawned. We are used to the mall metaphor and
the filmmakers don't dwell on the satire. Instead,
Snyder and his capable cast and crew, go
balls-to-the-wall with a rousing survival adventure.
Ana soon teams up with surly cop Kenneth (Ving Rhames)
as they search for a safe haven. They are joined by an
electronics salesman, Michael (Jake Webber), and a
young tough, Andre (Mekhi Phifer) and his very
pregnant Russian wife (Inna Korobkina). Together, they
battle the zombies as they head to the one place they
can feel secure - the Crossroads Mall. Once there,
they are accosted by three security guards, led by CJ
(Michael Kelly), who are ready to kill to protect
their shopping center turf. A battle of wills and
turning of tables puts the more sensibly, humanitarian
minds in charge
Once bonded, with their numbers increased by
additional living arrivals, the oasis of surviving
humanity make plans to escape to a, hopefully, zombie
free island. It's a group effort, with some of the
survivors reluctant, that is supplemented by the
distant help of another stranded soul, Andy (Bruce
Bohne), a gun store owner barricaded - heavily armed
but with little food - on the roof of his shop. He
uses his sniping skills to thin the throng of undead
mall-goers and entertain his still-alive neighbors. A
rescue mission is tried, with the use of the
obligatory cute and cuddly dog, Chips (thankfully, at
a time in filmdom when cuddly pets are demised, he is
a survivor). All of this culminates in the final,
Herculean effort to overcome the enormous odds - oh,
yeah, this time around, the bite of a zombie (not just
plain old death) earns instant conversion to
membership in the undead shortly after one,
inevitably, dies from their bite.
The ensemble cast of "Dawn of the Dead" is well
assembled with ingenue Sarah Polley giving credence to
her role as tough and capable nurse Ana, rising above
the usual gore splattered helpless female. She is a
formidable foe to the mindless undead and keeps a cool
head under the worst of circumstance. Ving Rhames is
stalwart as the taciturn leader, and enforcer, of the
rag tag group. Jake Webber shows good chops as
Michael, the thoughtful, concerned member of the
survivors. Ty Burrell is drolly amusing as the
uncooperative Steve. The rest of the cast fits the
bill - see if you can figure out which ones will join
the undead.
The screenplay, by James Gunn, is full of action and
humor. He reverses the trend of the usual, slow
shuffling undead by giving them real speed, making the
threat of getting a zombie bite more plausible.
Techs are first rate all around. The ghoulish makeup,
designed by David Anderson, for the countless zombies
is well done and akin to the work that Tom Savini put
into the original "Dawn of the Dead". Lensing, by
Matthew F. Leonetti, is crisply handled and looks
good.
"Dawn of the Dead" is a fast paced actioner that will
please the fans of Romero's work and attract a whole
new gang of gore hounds. I give it a B+.
For more Reeling reviews visit www.reelingreviews.com
robin@reelingreviews.com
laura@reelingreviews.com
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