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The Blue Lagoon (1980) - movie plots

The Blue Lagoon (1980)

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42%
(69 votes)
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Original title: Blue Lagoon, The

Directed by
Randal Kleiser

Written by
Henry De Vere Stacpoole, Douglas Day Stewart

Cast
Brooke Shields, Christopher Atkins, Leo McKern, William Daniels, Elva Josephson [more]


DVD Release Date
• R1: Oct 5, 1999
• R2: 13 Oct 2003

Budget $4,500,000

MPAA Rating
R

Running Time
1 hour, 44 minutes

Country USA

Studio Columbia Pictures

More info on IMDb.com

Other Titles
• The Blue Lagoon (1980)
• Die Blaue Lagune (1980)



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 Synopses for The Blue Lagoon (1980)
1.Two children and the ship's cook are marooned on a deserted island in the Pacific Ocean. Shortly after coming ashore the old man dies, leaving the boy and the girl to fend for themselves. The two quickly adjust to their surroundings, using survival techniques they learned from the old man before his death. As time passes, the kids enter puberty and begin to discover their sexuality. Without realizing what's happening to her, Em becomes pregnant and gives birth. With the baby comes responsibility and the wonder of discovery, as the parents, themselves still children, learn what it means to have another human life dependent on them.   
60%
(15 votes)

2.The lush beauty and splendor of a South Pacific paradise is vividly captures in this version of Henry DeVere Stacpoole's 1903 novel. Two small children and a ship's cook survive a shipwreck and find safety on an idyllic tropical island. Soon, however, the cook dies and the young boy and girl are left on their own. Days become years and Emmeline (Brooke Shields) and Richard (Christopher Atkins) make a home for themselves surrounded by exotic creatures and nature's beauty. They learn to cope with the bewildering variety of physical and emotional changes that come with adolescence. And as they begin to mature, their childhood affections lead to a sensitive and more profound love and the birth of a child. But will they ever see civilization again?   
60%
(15 votes)

3.In 1980, Randal Kleiser's remake of The Blue Lagoon had its critics well and truly divided. On the one hand adolescent nudity, however tasteful, was enough to give the censors the vapours. On the other, the story--essentially a reworking of Robinson Crusoe based on Stacpoole's Edwardian adventure novel with two young children as the castaways growing up on a desert island--seemed just too removed from reality. Kleiser set out to make "the ultimate South Seas film", and indeed the location shooting is a richly beautiful complement to the intimate tale of two young people coming to terms with their own adulthood. He teases out touching performances from Brooke Shields (Emmeline) and Christopher Atkins (Richard) as the marooned pair, and a nicely ambivalent cameo from Leo McKern as Paddy, the ship's cook who gets them set up on the island before rum gets the better of him.

A stilted script helps none of them. But the moments of awkward self-discovery and dawning sexuality are handled with a tenderness which ultimately triumphs over some of the more implausible elements: Shields' perpetually manicured nails, for example, or the fact that she unexpectedly gives birth without breaking sweat. To say nothing of the pair's extraordinary home-building skills, which would have been beyond the remit of the average Edwardian governess to teach. Today, for all its efforts to be taken seriously as a tale of preserved innocence and discovery, it succeeds best as a good old-fashioned adventure.

On the DVD: This widescreen presentation positively bulges with extras. A choice of director's commentaries means that you can hear Randal Kaiser (who had previously directed Grease) reminiscing in fine detail with writer Douglas Day Stewart, and both Brooke Shields and Christopher Atkins. Some might think this overkill for a non-landmark film, but the discussions are genuinely interesting. The film was clearly a formative experience in Shields' adolescent career --she has also provided an album of personal snapshots as another extra--and it is fascinating to hear her talk about it from her current position as a star of sophisticated television sitcom. The crystal-clear digital remastering and anamorphic stereo picture and sound quality of the main film don't extend to this scratchy, sometimes inaudible documentary. --Piers Ford

  
60%
(15 votes)



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