Other Titles • Days of Heaven • In der Glut des Südens (1979) • Tage des Himmels (1979)
Synopses for Days of Heaven (1978)
1.
Terrence Malick’s follow-up to BADLANDS is an exquisitely photographed story of a group of early-20th-century itinerant workers who find themselves entangled in a deadly love triangle. Bill (Richard Gere) and Abby (Brooke Adams) are lovers who are forced to flee Chicago after Bill accidentally murders his foreman. Together, with Bill’s little sister, Linda (Linda Manz), they settle on the land of a wealthy farmer (Sam Shepard) and spend their days working in the wheat fields. Bill discovers that the farmer is terminally ill and convinces Abby to marry him so they can inherit his fortune. As the days progress, it becomes apparent that the farmer isn’t getting any sicker, and when he discovers that Abby and Bill had initially set out to con him, their carefree existence comes to a deadly end.
Notorious for its on-set difficulties and extended postproduction, DAYS OF HEAVEN remains a beautifully composed work of art. Malick uses dialogue minimally, sometimes choosing not to fade in the sound of a scene until the actors have finished speaking. To combat this, he applies Linda’s innocent voice-over--as he did with Sissy Spacek's in BADLANDS--to add a poetic dimension. Combined with Nestor Almendros’s Oscar-winning cinematography and Ennio Morricone’s mellifluent score, DAYS OF HEAVEN is a timeless motion picture that confirms Malick’s directorial prowess.
(15 votes)
2.
Written and directed by Terrence Malick (The Thin Red Line), "Days Of Heaven" is a moving story about two men who love the same woman. Richard Gere, a fugitive from the slums of Chicago, finds himself pitted against a shy, rich Texan (Sam Shepard) for the love of Abby (Brooke Adams). Academy Award winner for Best Cinematography.
(15 votes)
3.
Originally shown on the big screen in glorious 70 mm, Terrence Malick's Days of Heaven is an aesthetically flawless eye-catching period piece that won its cinematographer, Néstor Almendros, an Oscar. Texture and colour are the unbilled characters in this tragic tale, and are just as important as the players. Richard Gere works in a Chicago steel mill at the turn of the 19th century, but must flee the city after accidentally killing a man. Heading for the wheat fields of Texas, he packs up his girlfriend (Brooke Adams) and his younger sister (Linda Manz). Instead of a better life, they head straight into tragedy when a wealthy farmer (Sam Shepard) falls for Adams. Believing him to be dying and expecting to inherit a fortune, she agrees to marry him. Their plans change when Shepard fails to die and Gere takes matters into his own hands. The story, sadly, fades somewhat when compared to the glory of the visuals. --Rochelle O'Gorman
(15 votes)
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