Where Nightmares And Reality Meet. On The Streets.
One of the best horror films of the decade. Welcome to the hood of horrors--a place where it's hard to tell nightmares from reality.
Stack, Ball and Bulldog arrive at a local funeral parlor to retrieve a lost drug stash held by the mortician Mr. Simms. But Mr. Simms has other plans for the boys. He leads them on a tour of his establishment, introducing them to his corpses. Even the dead has tales to tell, and Mr. Simms is willing to tell them all. And you'd better listen--because when you're in his 'hod, even everyday life can lead to extraordinary terror.
(35 votes)
2.
This politically tinged anthology puts a new spin on tales of the strange and the supernatural.
While three hoods sit around a mortuary waiting for their supplier to arrive with dope, the owner helps them pass the time by telling stories about the very weird things he's witnessed. In one, a black rookie cop tries but fails to prevent some crooked policemen from beating an African-American community leader to death... but the victim finds a way to get his revenge. The second is a heart-wrenching drama about domestic violence that only magic can end, and the third story is a wickedly funny parody of racist Southern politicians, featuring a candidate who resembles several real public figures. Finally, in the last episode, a violent black gang members finds himself imprisoned with a white supremacist killer -- and the two surprisingly find a lot in common...
(24 votes)
3.
Revenge/horror motif played out again and again and again, but this time with racial implications. Three drug-dealing thugs look for a stash in a funeral parlor and get the grand tour from Mr. Simms, the truly creepy mortician. As they pass the open caskets, Simms relates gruesome stories about the occupants' deaths to the increasingly restless young men. Each one of them falls to the vengeance of the supernatural theme, and it gets truly old. Nothing original is introduced, except that most of the stories take place in an urban setting. Produced by Spike Lee in an attempt to prove that bad horror doesn't discriminate, either. --Keith Simanton
(22 votes)
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