Other Titles • The Wicker Man • Anthony Shaffer's The Wicker Man (1973) • The Wickerman (1973)
Synopses for The Wicker Man (1973)
1.
This controversial British cult classic, considered by its producer upon completion to be one of the worst films ever made, has been little seen since its brief theatrical release even though it is now regarded as a classic of British cinema. Edward Woodward stars as Sergeant Howie, a naive young police officer sent to Summerisle, a secluded island off the coast of Scotland, to investigate the disappearance of a young girl named Rowan. When he arrives there, he finds a very tight knit community, one mistrustful and hostile to outsiders. None of them seem willing to even acknowledge the disappearance of young Rowan. Soon, however, Howie begins to realize that the town belongs to some sort of a pagan cult, one given to unbridled sexuality and possibly human sacrifice. Seeking an audience with the oddly civilized Lord Summerisle (Lee), Howie hopes to get to the bottom of the mystery, but instead finds something more shocking than he could have ever imagined.
A true cult classic that paints a disturbing portrait of an almost prehistoric, multi-deity worshipping society given to Bacchanalian excess and bizarre rituals, THE WICKER MAN is a truly unsettling experience. Erotic and mysterious, the film evokes the primal urges that underlay modern society through its unforgettable imagery and story.
(1 vote)
2.
Typically categorized as a horror film, The Wicker Man is actually a serious and literate thriller about modern paganism, written by Anthony Shaffer (Sleuth) with a deft combination of cool subjectivity and escalating dread. (Despite this promising directorial debut, British filmmaker Robin Hardy didn't make another film until The Fantasist, a little-seen thriller released in 1986.) We're introduced to the friendly but mysterious residents of Summerisle (located off the west coast of Scotland), where the isolated community enacts rituals that seem, at first, to be merely unconventional. When called in to investigate an anonymous tip about a missing child, mainland police sergeant Howie (Edward Woodward) is treated as an outsider, and the ominous Lord Summerisle (Christopher Lee) has the inside advantage. As the repressed policeman is taunted by the island's sensuous atmosphere, his investigation leads to increasingly disturbing implications.
With phallic symbols and soothing music at every turn, Summerisle is a pleasant haven for those who perform the pagan rituals of Lord Summerisle's maverick ancestors. These earthy ceremonies are presented with alluring authenticity, and the island's tempting eroticism is fully expressed by the landlord's daughter (Britt Ekland), who fills Howie with barely suppressed carnal desire. (Sirens took a comedic approach to a similar situation in 1994.) And yet the mystery of the missing girl remains, with clues that hint at a darker reality beneath the colorful local customs. When that reality is ultimately discovered, Howie becomes the crucial element in the islanders' most elaborate ritual, which is where the film's title comes into play. It may not be horror, but it is horrific, and this makes The Wicker Man an unforgettable film. --Jeff Shannon
3.
When a young girl mysteriously disappears, Police Sergeant Howie (Edward Woodward of The Equalizer) travels to a remote Scottish island to investigate. But this pastoral community, led by the strange Lord Summerisle (a brilliant performance by the legendary Christopher Lee), is not what it seems as the devout Christian detective soon uncovers a secret society of wanton lust and pagan blasphemy. Can Howie now stop the cult's ultimate sacrifice before he himself comes face-to-face with the horror of The Wicker Man?
Britt Ekland, Diane Cliento and Ingrid Pitt co-star in this provocative shocker written by Anthony Shaffer (Sleuth, Frenzy) that fans and critics worldwide still consider a true cult classic and a modern horror masterpiece. This is the acclaimed U.S. theatrical version of The Wicker Man, now fully restored from original vault materials for the first time ever.
4.
It must be stressed that, despite the fact that it was produced in 1973 and stars Christopher Lee, The Wicker Man is not a Hammer Horror film. There is no blood, very little gore and the titular Wicker Man is not a monster made out of sticks that runs around killing people by weaving them into raffia work. Edward Woodward plays Sergeant Howie, a virginal, Christian policeman sent from the Scottish mainland to investigate the disappearance of a young girl on the remote island of Summerisle.
The intelligent script by Anthony Schaffer, who also wrote the detective mystery Sleuth (a film with which The Wicker Man shares many traits), derives its horror from the increasing isolation, confusion and humiliation experienced by the naïve Howie as he encounters the island community's hostility and sexual pagan rituals, manifested most immediately in the enthusiastic advances of local landlord's daughter Willow (Britt Ekland). Howie's intriguing search, made all the more authentic by the film's atmospheric locations and folkish soundtrack, gradually takes us deeper and deeper into the bizarre pagan community living under the guidance of the charming Laird (Lee, minus fangs) as the film builds to a terrifying climax with a twist to rival that of The Sixth Sense or Fight Club. --Paul Philpott
On the DVD:The Wicker Man can finally be seen in its glorious entirety on DVD, thanks to the restoration of some 15 minutes of previously lost material. Since the original negative long ago disappeared (apparently dumped beneath the M3 motorway) the picture quality for the added scenes is dubious, but what's much more important is the regained richness in the depiction of Summerisle's society (including a wonderful deflowering ritual set to music) and the added depth to Howie's character. Almost redundantly this excellent two-disc package provides the butchered theatrical cut as well, which comes with a good new documentary explaining both the genesis of the film and its turbulent history. Christopher Lee and director Robin Hardy pop up in an archival interview from the 1970s and are also reunited with Edward Woodward in the brand-new and first-rate commentary track for the director's cut: Lee in particular remains passionate about the movie and still angry about its shabby treatment. Both versions of the film are widescreen 1.85:1; the theatrical cut is in remastered Dolby 5.1, but the director's cut remains in mono. --Mark Walker
Mooviees.com is not the official site for this film.
All editorial views and opinions expressed here are for entertainment purposes only.
<>
Movie Database
In Theaters
