Other Titles • Andy Warhol's Dracula (1974) • Andy Warhol's Young Dracula (1974) • Dracula (1974) • Young Dracula (1974)
Synopses for Blood for Dracula (1974)
1.
Andy Warhol collaborator Paul Morrissey followed up on the international success of FLESH FOR FRANKENSTEIN with his unique interpretation of another classic movie monster. In this version, Dracula travels to Italy in search of a virgin bride. The great Udo Kier (Frankenstein in Morrissey’s FLESH FOR FRANKENSTEIN) plays the count as a sickly and hypersensitive shut-in who stumbles across the supposedly virginal DiFiore family with the help of his domineering assistant, Anton. Unfortunately, the DiFiore daughters are less than virginal because of Mario the servant's (Joe Dallesandro) determined efforts. While the sets and cinematography are elegant and evocative, Morrissey brings his shambling, Warholian style to the script (which was written as the film was shot) and the acting (each actor has a different accent and most lines are read in a slow and drawling deadpan). The sex and violence are tinged with ironic humor as Kier goes from one daughter to the next, desperate for the virgin blood he needs to save his life. Some not-so-subtle social commentary is interwoven as the DiFiore parents care less for their daughters' future-well being than for the survival of their own wealth and palatial estate. The shocking sex- and gore-filled ending neatly closes Morrissey's new-fangled monster diptych and cements his place as a cinematic inventor.
(17 votes)
2.
Filming on Blood for Dracula began on location in Italy on the same day that filming of Flesh for Frankenstein ended, and knowing this enhances one's appreciation of director Paul Morrissey's delightfully twisted--and defiantly artistic--approach to violent, campy horror. Originally titled Andy Warhol's Frankenstein and Andy Warhol's Dracula, both films are blessed by Morrissey's opulent visual style (he and his Italian cinematographer worked wonders with modest budgets), and both showcase Udo Kier and the languorous hunk Joe Dallesandro in opposing roles. Here we find Udo Kier as Count Dracula, looking even more ashen than usual and desperate for the blood of virgins to restore his waning health. He travels to Italy and stays at the fading estate of a once-wealthy family, and the presence of four lovely, sexually inexperienced daughters turns out to be a recipe for disaster. It so happens that only the youngest daughter is actually a virgin, and by process of elimination Dracula discovers that non-virgin blood makes him violently ill! Dallesandro plays the resident handyman--handy in more ways than one, as the daughters have learned--who dares to protect the remaining virgin from the Count's bloodsucking exploits, and as usual director Morrissey finds ample opportunity to combine sex and gore with outrageous sensibility and logic of plot. As in the case of Flesh for Frankenstein, this Criterion Collection DVD restores the film to its original director's cut, presented in its original aspect ratio with a supplemental commentary by Morrissey, Kier, and critic Maurice Yacowar. Kier is particularly delightful, observing during one gruesome scene that "vomiting looks great when you've got a tuxedo on." --Jeff Shannon
(18 votes)
3.
Paul Morrissey's brash mixture of humor, horror and sex is a bitingly funny satire of modern values - and a revelation to fans of the horror film. In Blood For Dracula, the infamous count searches Italy for virgin blood. Criterion presents the long-suppressed director's cut of this outrageous cult classic in a new widescreen transfer.
(17 votes)
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