Gordon Parks (The Learning Tree) directed this 1971 detective story about John Shaft (Richard Roundtree), an African American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Parks seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft had a couple of sequels and a follow-up television series, but none had the impact this movie did. --Tom Keogh
2.
One of the first black action heroes blasts onto the Hollywood scene in this tale of John Shaft, a private eye who sets out to find the missing daughter of a Harlem gang kingpin. By modern standards, the edge might seem a little dull, but Isaac Hayes' score is fresh as ever. Based on the novel by Ernest Tidyman. Academy Award Nominations: 2, including Best Original Dramatic Score. Academy Awards: Best Song ("Theme from Shaft").
3.
"Hotter than Bond. Cooler than Bullitt " movie posters proclaimed. John Shaft was indeed a shut-your-mouth detective to reckon with a fact emphasized from the film's start by Isaac Hayes' Academy Award-winning Best Original Song and Oscar-nominated score.
Richard Roundtree plays the smart, tough, confident lead, a private investigator whose hunt for a kidnapped woman puts him in the middle of feuding syndicates. Gordon Parks directs from a screenplay that Ernest Tidyman (that same year's Oscar winner for The French Connection) co-scripted from his own novel. John Shaft is an icon of change from an era of change. Today, Shaft still tells it like it is.
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