Other Titles • A View to a Kill • From a View to a Kill (1985) • Ian Fleming's 'A View to a Kill' (1985) • James Bond 007 - Im Angesicht des Todes (1985)
Synopses for A View to a Kill (1985)
1.
Agent 007 (Roger Moore) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge, James Bond can't be stopped!
(29 votes)
2.
Roger Moore makes his the final appearance as the Secret Service Agent, James Bond in a VIEW TO A KILL.
Her Majesty's Secret Service sends Bond to stop Madcap computer industrialist Max Zorin (Christopher Walken) from triggering a massive earthquake in silicon valley and annihilating the global computer market. With the help of geoligist Stacey Sutton (Tanya Roberts), Bond must contend with May Day (Grace Jones) and Zorin’s endless supply of henchmen as he jet sets from Paris to San Francisco leaving a trail of empty martini glasses and broken Q-gadgets behind him.
In the 14th installment of the 007 series, director John Glen delivers an unforgettable and dazzling farewell vehicle for actor Roger Moore. Packed full of sex pot debutantes, whizz bang gadgetry and cliffhanger action sequences, VIEW TO A KILL is an unforgettable roller coaster ride.
(21 votes)
3.
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com
On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
(24 votes)
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