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Fiddler on the Roof arrived in cinemas in 1971, seven years after the Sheldon Harnick/Jerry Bock musical about Jewish life in a pre-Revolution Russian village first gripped Broadway. Based on the stories of Shalom Aleichem, with its potent mixture of sentiment and religious and historical context, it remains one of the most popular shows of the modern age. With the help of an outstanding performance from Topol as Tevye--the milkman with five daughters kicking at the constraints of tradition--Norman Jewison's captivating film retains a moving intimacy in its portrayal of relationships in changing times.

But it also stretches the possibilities of location shooting--in this case the countryside of the former Yugoslavia--further than any musical movie before or since. The villagers are played by the inhabitants of the area, lending a poignant realism to the vibrant crowd scenes. And the cinematography is spectacular, with Jewison's clever use of distance generating an epic feel that helps to explain the story's continuing resonance and popularity.

Topol's career-defining star turn is balanced by the warmth and sensitivity of the surrounding performances, particularly Norma Crane as his abrasive wife Golda. British sitcom fans will spot early appearances by Roger Lloyd Pack, and Ruth Madoc as the demonic butcher's wife, Fruma Sarah. At nearly three hours, it's a long emotional haul, but aided by some of the most beautiful songs in musical history, Jewison's Fiddler is ageless.

On the DVD: Fiddler on the Roof Special Edition is presented on DVD in widescreen with a Dolby soundtrack that makes a mighty meal of John Williams' Oscar-winning musical adaptation. The most fascinating extras are a making-of documentary that shows a youthful, slightly tetchy Jewison at work, and a 2003 reminiscence in which all of his passion and feel for the piece has survived intact. He shares a commentary with Topol crammed with vivid memories and context. There is also a photographic gallery showing the resources that were used to give the film its authenticity, and Jewison reads extracts from original Aleichem stories. --Piers Ford

Release Date: Nov 10, 2003

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This rousing musical, based on the stories of Sholem Aleichem, takes place in pre-revolutionary Russia and centres on the life of Tevye (Topol), a milkman who is trying to keep his family's traditions in place while marrying off his three older daughters. Yet, times are changing and the daughters want to make their own matches, breaking free of many of the constricting customs required of them by Judaism. In the background of these events, Russia is on the brink of revolution and Jews are feeling increasingly unwelcome in their villages. Tevye--who expresses his desire for sameness in the opening number, "Tradition"--is trying to keep everyone, and everything, together. The movie is strongly allegorical--Tevye represents the common man--but it does it dextrously, and the resulting film is a stunning work of art. The music is excellent (it won Oscars for the scoring and the sound), with plenty of familiar songs such as "Sunrise, Sunset" and "If I Were a Rich Man," which you'll be humming long after the movie is over. Isaac Stern's violin--he provides the music for the fiddler on the roof--is hauntingly beautiful. And despite the serious subject matter, the film is quite comedic in parts; it also well deserves the Oscar it won for cinematography. --Jenny Brown

Release Date: Feb 1, 2000
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