Other Titles • The Rules of the Game • La Règle du jeu (1939) • more
Synopses for The Rules of the Game (1939)
1.
Widely regarded as one of the greatest films ever made, Jean Renoir's masterpiece THE RULES OF THE GAME is a devastating satire of the pre-WWII French aristocracy. Starring Marcel Dalio as wealthy landowner Marquis Robert de la Chesnaye, it charts the shifting relationships among the guests at a weekend hunting party on his vast estate. The guest list includes Robert's mistress Genevieve (Mila Parely), from whom he's trying to part, and Andre Jurieu (Roland Toutain), a famed aviator who is in love with Robert's wife, Christine (Nora Gregor). As they begin a dizzy dance of escape and pursuit, their games are observed and echoed by the servants below the stairs. The gamekeeper Schumacher (Gaston Modot) is trying to keep the poacher, Marceau (Julien Carette), from poaching on his pretty wife, Lisette (Paulette Dubost), unaware that his boss also has his eye on her. The passionate Jurieu, the only guest incapable of the appropriate hypocrisy, finds Christine in an embrace with a random lover (Pierre Nay), and the startled woman decides to leave Robert and go away with the aviator. Renoir's subtle deployment of long tracking shots in multiplanar deep focus reveals the relations of both groups and individuals as he dismantles the rituals of hypocrisy that make this society run smoothly.
(19 votes)
2.
Widely regarded as one of the greatest film ever made, Jean Renoir’s masterpiece The Rules of the Game is a scathing critique of corrupt French society cloaked in a comedy of manners. At a weekend hunting party, amorous escapades abound among the aristocratic guests and are mirrored by the activities of the servants downstairs. The refusal of one of the guests to play by society’s rules sets off a chain of events that ends in tragedy. Poorly received upon its release in 1939, the film was severely re-edited, and the original negative was destroyed during World War II. Only in 1959 was the film fully reconstructed and embraced by audiences and critics who now see the film as a timeless representation of a vanishing way of life.
(18 votes)
3.
Consistently cited by critics worldwide as one of the greatest films ever made, Jean Renoir's bittersweet drama of life, love, class, and the social code of manners and behavior ("the rules of the game") is a savage critique undertaken with sensitivity and compassion. Renoir's catch-phrase through the film, "Everyone has their reasons," develops a multilayered meaning by the conclusion. A young aviator (Roland Toutain) commits a serious social faux pas by alluding to an affair on national radio. To avert a scandal, the cultured Robert de la Chesnaye (Marcel Dalio), husband to the aviator's mistress, Christine (Nora Gregor), and a philanderer in his own right, invites all to a weekend hunting party in his country mansion. The complicated maze of marriages and mistresses (social register and servant class alike) is plotted like a bedroom farce, but the tone soon takes a darker cast. Renoir, who also takes the pivotal role as Andre's jovial pal and de la Chesnaye confidant Octave, deftly blends high comedy with cutting satire as he parallels the upstairs-downstairs affairs. The film builds to a comic pitch with the hilarious performance of Julien Carette as a rabbit poacher turned groundskeeper, but soon turns tragic in a devastating conclusion. The film was roundly condemned and banned in France upon its 1939 release, but years later (out of the shadow of WWII) the film was rediscovered for the masterpiece that it is. --Sean Axmaker
(18 votes)
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