In case you'd forgotten, My Beautiful Laundrette will remind you of those mid-80s days when Thatcherism ruled the earth (or so it seemed) and money was king. Stephen Frears' low-budget realisation of Hanif Kureishi's subversively critical play captures the contradictions of that time in a way that's as fresh today as when it was new. Omar's wheeler-dealer uncle, Nasser (Saeed Jaffrey), sums it up when he says, "In this damn country, which we hate and love, you can get anything you want". He sets up Omar (Gordon Warnecke) with a rundown laundrette and the instruction to make it a success, which Omar temporarily does, with the help of his childhood friend Johnny (Daniel Day-Lewis). When the film first came out, it was the gay content that dominated the column inches, whereas now it seems a sensitive and multi-faceted summation of its decade, exploring social, ethnic and sexual issues and contradictions. Bringing together two such different characters as Omar--Asian, ambitious, for whom success is defined by wealth--and former childhood friend Johnny--white trash, ex-National Front--was inspired. Watching their friendship develop into love, and the ensuing bitterness and misunderstanding that they suffer from friends and family is very poignant. All the lead roles are well taken, the contradictory character of Nasser in particular. By turns, funny, touching and anger-inducing, this is a movie that wears its age lightly and its era proudly.
On the DVD: the picture is in 4:3 ratio with a Dolby Digital soundtrack. There's an original trailer and filmographies of the four main characters, with an additional biography for Day-Lewis. --Harriet Smith
(19 votes)
2.
MY BEAUTIFUL LAUNDRETTE, directed by Stephen Frears, is a highly innovative and fantastical exploration of marginalized cultures in Thatcher-era London. Set in the Pakistani community of South London in the 1980s, the film focuses on two youths, friends from schooldays. Johnny (Daniel Day-Lewis) is a working-class white whose friends belong to the National Front, a fascist group whose members extol "white power" and bash immigrants. Omar (Gordon Warnecke), a homosexual Pakistani, lives with his leftist father who spends most of his time in bed drinking. Omar's wealthy uncle, Nasser (Saeed Jaffrey), is determined to give one of the family a (small) step up, and at first gives him a lowly garage job, and then hands Omar a rundown laundrette. Omar and Johnny become lovers and decide to convert the laundrette into "a Ritz among laundrettes," a gaudy, neon-lit storefront called "Powders" complete with aquarium, video games, potted plants and piped classical muzak. Johnny looks upon the laundrette as a lifeline on which to salvage his self-respect, while Omar sees it as just the beginning step on the long road toriches. A thoughtful and innovative portrait of modern contrasts in class, race, and sex, this film defined a generation of Londoners.
(17 votes)
3.
"A wise, vivid social comedy." -The New York Times
With it's "extraordinary cast" (Los Angeles Times)-including Oscar winner Daniel Day Lewis-and "riveting visual style" (Newsweek), this "warm, compassionate and feisty" film (The Hollywood Reporter) about a young Pakistani man coming of age in London is "a fascinating, eccentric [and] very personal movie" (The New York Times)!
Living on the dole with his alcoholic father in a shabby South London flat, Omar is a bright-eyed Pakistani teenager who wants to make something of himself. And as his papa drowns deeper in vodka and self-pity, Omar turns to his unscrupulous wheeling-and-dealing Uncle Nassar to show him the key to success. But when Nassar hires Omar as manager of a seedy, dilapidated Laundromat, Omar is forced to choose between running a squeaky clean establishment-or conducting some very dirty business!
(17 votes)
4.
My Beautiful Laundrette, Stephen Frears's low-budget realization of Hanif Kureishi's subversively critical play, captures the contradictions of mid-'80s Thatcherism in a way that's as fresh today as when it was new. Wheeler-dealer Nasser (Saeed Jaffrey) sums it up when he says, "In this damn country, which we hate and love, you can get anything you want." He sets up his nephew Omar (Gordon Warnecke) with a rundown laundrette and the instruction to make it a success, which Omar temporarily does, with the help of his childhood friend Johnny (Daniel Day-Lewis). When the film was first released, it was the gay content that dominated the conversation, whereas now it seems a sensitive and multifaceted summation of its decade, exploring social, ethnic, and sexual issues and contradictions. Bringing together two such different characters as Omar--Asian, ambitious, for whom success is defined by wealth--and former childhood friend Johnny--white trash, ex-National Front--was inspired. Watching their friendship develop into love, and the ensuing bitterness and misunderstanding that they suffer from friends and family, is very poignant. All the lead roles are well taken, the contradictory character of Nasser in particular. By turns, funny, touching and anger-inducing, My Beautiful Laundrette wears its age lightly and its era proudly. --Harriet Smith
(15 votes)
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