This Hitchcock is a thriller of a different stripe, thanks to director Jonathan Demme, whose evident passion for music again combines with his consummate filmmaking skills to show off its subject to maximum effect. Much as he did for the Talking Heads in Stop Making Sense, Demme here gets right to the core of singer-songwriter Robyn Hitchcock by focusing on him in performance. It's a testament to all involved that Storefront Hitchcock achieves an impact similar to that classic concert film through a strikingly different approach.
Unlike the Heads, Hitchcock is a quintessential cult artist who retired his band, the Egyptians, and now performs mostly solo. To capture his songs in sharp focus, Demme filmed the musician playing in a vacated Manhattan storefront, his back to its broad window, his small but rapt audience heard but not seen. Apart from an establishing credit sequence that descends to the streets, the 77-minute program consists of Hitchcock in medium or close shots, with occasional glimpses of passersby and onlookers in the street behind him. Simple stage lighting is augmented by use of a translucent curtain, an opaque backdrop, and a checkerboard overlay of different colored gels that periodically change the outward view. For DVD and VHS, Demme has opted for a full-frame transfer that actually makes sense in terms of sustaining this intimacy.
That simplicity, and the beautifully shot and composed color film footage, draw us deeply into Hitchcock's songs and monologues, which confirm his acerbic wit, a sharp eye for pop cultural details, and a free-floating surrealism that lends his verbal riffs an antic poetry. He's not a virtuoso by any measure, yet it's easy to hear why he's such a musician's favorite in the instinctive drama and energy of his mostly acoustic guitar work. If you've never heard Robyn Hitchcock, this stunning, minimalist feature will intrigue you. If you're already a fan, prepare to swoon. --Sam Sutherland
2.
Master of the rockumentary Jonathan Demme (STOP MAKING SENSE) takes on the project of filming idiosyncratic English singer-songwriter Robyn Hitchcock. Filmed over the course of two days on location in a New York City storefront window, the film smartly captures the musician's quirky sensibilities. Demme films Hitchcock along with violinist Deni Bonnet and bass player Tim Keegan with their backs to the window, allowing passersby to fill in the background. As in STOP MAKING SENSE, the audience for the performance can be heard but not seen. Hitchcock peppers his performance with strange little stories and observations that segue into bursts of seemingly unrelated songs. Most of them are taken from Hitchcock’s MOSS ELIXER album. This stripped-down, unplugged version of his work should appeal to longtime fans. Surprisingly, considering the limits of the visual landscape, the film does an effective job of re-creating the experience of seeing him live. The performance includes four songs written specifically for the film.
Mooviees.com is not the official site for this film.
All editorial views and opinions expressed here are for entertainment purposes only.
Movie Database
In Theaters
