• Quotes (7) • Trivia (6) • Plot Description • Soundtrack • Wallpapers • Shooting Locations • Popularity
DVD Release Date • R1: Dec 7, 1999 • R2: 27 Dec 2000
Budget $2,000,000
Running Time 2 hours, 43 minutes
Country USA
Production Companies Triangle Film Corporation, Wark Producing Corp.
Studio Wark
More info on IMDb.com
Other Titles • Intolerance: Love's Struggle Through the Ages • Intolerance • The Mother and the Law • Intolerance: A Sun-Play of the Ages • Intolerance: Love's Struggle Throughout the Ages (1916)
|
Cast & Crew
| Directed by |
D.W. Griffith
The Birth of a Nation, Broken Blossoms or The Yellow Man and the Girl, Way Down East | |
| Written by |
D.W. Griffith - scenario
Hoodoo Ann, Diane of the Follies, Daphne and the Pirate | Anita Loos - titles
Gentlemen Prefer Blondes, The Women, San Francisco | |
| Cast |
Mae Marsh - The Dear One (Modern Story)
The Birth of a Nation, Fort Apache, 3 Godfathers | Robert Harron - The Boy (Modern Story)
The Birth of a Nation, The Girl and Her Trust, A Corner in Wheat | F.A. Turner
Rebecca of Sunnybrook Farm, Aladdin and the Wonderful Lamp, Her Official Fathers | Sam De Grasse - Arthur Jenkins (Modern Story)
The Black Pirate, The Man Who Laughs, The King of Kings | Vera Lewis - Mary T. Jenkins (Modern Story)
King Kong, The Roaring Twenties, Edge of Darkness | Mary Alden
The Birth of a Nation, Hell's House, The Plastic Age | | | | | Miriam Cooper
The Birth of a Nation, A Blot on the 'Scutcheon, The Greaser | Walter Long
The Birth of a Nation, Pardon Us, The Maltese Falcon | | Ralph Lewis - Governor (Modern Story)
The Birth of a Nation, The Avenging Conscience; Thou Shalt Not Kill, Gretchen the Greenhorn | | | | | Monte Blue - Strike Leader (Modern Story)
Casablanca, Key Largo, Road to Morocco | |
| Music By |
Carl Davis - new score 1989
The General, The Phantom of the Opera, Greed | | D.W. Griffith - uncredited
The Birth of a Nation, Broken Blossoms or The Yellow Man and the Girl, Way Down East | |
| Produced by |
D.W. Griffith
All on Account of the Milk, The Half-Breed, Fifty-Fifty | |
|