Genre: Comedy, Martial Arts, Spy, Detectives, Investigation, Spoof, Hollywood, Gangsters, Murder, Betrayal, Cult Classic
Tagline: This summer the Angels are back.
Plot: The Angels prepare to strike without warning as they go undercover to retrieve two missing silver bands. These are no ordinary rings. They contain valuable encrypted information that reveals the new identities of every person in the Federal Witness Protection Program.When witnesses start turning up dead, only the Angels, using their expertise as masters of disguise, espionage and martial arts, can stop the perpetrator, a mysterious ‘fallen’ Angel (Demi Moore). Aided by their trusty colleague, Jimmy Bosley (Bernie Mac), the Angels’ adventure begins at a remote Mongolian outpost and ends only after Dylan (Barrymore) is forced to face a dark secret from her past -- a secret that puts the lives of her two best friends in
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 McG's sequel -- starring those crime-fighting hotties in all their stripteasing glory -- will probably be huge. Nobody said it actually had to be good.--Stephanie Zacharek (Salon)
"Charlie's Angels: Full Throttle" is more or less the same movie as the original "Charlie's Angels" (2000), and yet I feel more forgiving this time.  --Roger Ebert (Chicago Sun-Times)
It’s all very ridiculous, yet somehow I managed to sit back, relax, and enjoy myself B---Lee Tistaert (Lee's Movie Info)
"Charlie's Angels: Full Throttle" isn't a movie so much as a pastiche. Imagine MTV covering the X-Games on Mars, where gravity doesn't matter so much and, apparently, you can jump off high bridges, fall off speeding cars or crash one through the wall of a building and suffer nothing more than a few bruises.--Ron Weiskind (Pittsburgh Post-Gazette)
The sequel seems to try too hard to live up to the hype and the charm of the original but seems too much at times. 5/10--Joseph Kastner (Movie-Vault.com)
Like the original, you really have to know what you're getting into when you head off to see Charlie's Angels: Full Throttle. With the right mindset, though, it's probably one of the most mindlessly enjoyable movies to crop up so far this summer. --David Nusair (Reel Film Reviews)
There is a point, somewhere around the fifth or six ultra-stylized, uber-bright, slo-mo action sequence, where the wink-wink-nudge-nudge factor...simply falls on its face and dies.  --Christopher Monfette (MovieWeb)
Full Throttle is crap, but it's fun crap.  --Carl Lazarevic (MovieWeb)
It took three writers to knock out this impressively vacuous blockbuster - presumably two to hold the paper, while the other handled crayons.  --Nev Pierce (BBC Films)
This is a movie with less depth than a Maxim pictorial, but it’s fun. --Kevin N. Laforest (Montreal Film Journal)
The charm of "Charlie's Angels: Full Throttle" is spread like an even tan over a series of full-bore, semi-erotic action sequences that are as exciting as they are ridiculous.  --Jami Bernard (New York Daily News)
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| Directed by |
McG
Charlie's Angels, We Are Marshall, Korn: Who Then Now? |
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| Written by |
Ivan Goff
White Heat, Midnight Lace, The Legend of the Lone Ranger | Ben Roberts
Band of Angels, Charlie's Angels, Green Fire | John August
Hancock, Charlie and the Chocolate Factory, Big Fish | Cormac Wibberley
National Treasure: Book of Secrets, The 6th Day, The Shaggy Dog | |
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| Cast |
Cameron Diaz
Being John Malkovich, Shrek, There's Something About Mary |
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 | Lucy Liu
Kill Bill: Vol. 1, Kill Bill: Vol. 2, Kung Fu Panda |
 | Bernie Mac
Ocean's Thirteen, Ocean's Eleven, Ocean's Twelve |
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 | Robert Patrick
Terminator 2: Judgment Day, Bridge to Terabithia, Die Hard 2 |
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[more] |
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| Music By |
Ed Shearmur
Epic Movie, Charlie's Angels, Cruel Intentions |
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| Enjoyable, fluffy sequel that succeeds as a bit of brainless fun and delivers admirably on its promise of 'more of the same' while at the same time not being quite as good as the first one. --Matthew Turner (ViewLondon)
It makes no sense. It's not supposed to. It's 'Charlie's Angels.' And Mick LaSalle's glad he's not the target audience for this shameless sequel.--Mick LaSalle (San Francisco Chronicle)
One big self-referential mess, created entirely for visual effect at the total expense of plot, entertainment value and wit. 3/10--Gary Panton (Movie Gazette)
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