Other Titles • Arsenic and Old Lace • Frank Capra's 'Arsenic and Old Lace' (1944) • Arsen und Spitzenhäubchen (1952) • Arsen und alte Spitzen (1952)
Synopses for Arsenic and Old Lace (1944)
1.
Frank Capra made this film in 1941 before he went off to make films for America's war effort, but it wasn't released until 1944. Adapted from the hit play by Joseph Kesselring, this frantic black comedy shows Capra at his best as a master of mood and timing. Actresses Josephine Hull and Jean Adair reprise their Broadway performances as two gentle old ladies who poison men with elderberry wine to put them out of their misery. Cary Grant plays one nephew, a normal guy who just gets wind of their little hobby and tries to get them to stop, while Raymond Massey plays another, a villain just escaped from jail. Capra encourages the cast, especially Grant, to give a somewhat more outsized performance than one might expect. But made during the war years as it was, this overstated comic approach to killing was probably cathartic. --Tom Keogh
2.
A couple leaving on their honeymoon must put aside their plans when the groom finds that his spinster aunts are killing people in their pleasant little house and burying the bodies in the cellar. To their credit, the aunts believe they are just being kind and they hold touching funeral services for all of their victims. The plot is complicated by a somewhat dotty elderly relative who is convinced that he is Teddy Roosevelt.
3.
Mirthful Murder Cary-ed Off In Slapstick, Slap-Happy Style!
Cary Grant and a stellar cast romp through this classic farce based on Joseph Kesselring's 1941 Broadway hit and breezily directed by Frank Capra. Frazzled drama critic Mortimer Brewster (Grant) has two aunts (Josephine Hull and Jean Adair) who ply lonely geezers with poisoned libations, one sociopathic brother (Raymond Massey) who looks like Boris Karloff, one bonkers brother (John Alexander) who thinks he's Teddy Roosevelt, one impatient new bride (Priscilla Lane) -- and only one night to make it turn out all right. In this circus' center ring is Grant, twisting his face into a clown's gallery of flabbergasted reactions and transforming his natural athletic grace into a rubber-legged comic ballet. You'll die laughing.
4.
In 1941, when Frank Capra filmed Arsenic and Old Lace, he was in the midst of his string of social-concern pictures. So this uncharacteristic property must have seemed like a vacation; it's a straight farce, played at full tilt and closely adapted from the Broadway play. Almost all of the action takes place on a single set: the old home of the Brewster sisters (Josephine Hull and Jean Adair), those dear, dotty old ladies who mix up a very special elderberry wine. Very special. As their nephew Mortimer (Cary Grant) discovers on the eve of his wedding, the two ladies have been spiking the wine with poison and sending lonely gentleman callers off to the great beyond. More specifically, they've been burying them in the cellar with the help of nutty Uncle Teddy, who thinks he's Teddy Roosevelt (and thus digging the Panama Canal down in the basement). The ominous happenings are made more sinister with the arrival of another menacing relative (RaymondMassey) and his quack doctor (Peter Lorre), who look and act like refugees from a horror movie. Played completely over the top, this movie offers up lots of bracing slapstick, with Grant run to near exhaustion by the galloping insanity of his family. Although Capra shot the film in 1941, prior to his making military films during World War II, the film was not released until 1944; the contract stipulated that the movie not come out before the play ended its enormously successful run. --Robert Horton
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