Release Date: Dec 4, 2001 Region: 1 Runtime: 138 mins Studio: Criterion Audio:
ITALIAN: Dolby Digital Mono
Video:
Widescreen 1.85:1 B&W (Anamorphic)
Subtitles: English Packaging: Custom Case Rating: NR Features:
Disc One: Screen-specific audio essay featuring commentary by film critic and Fellini friend Gideon Bachmann and NYU Professor of Film Antonio Monda Introduction by Terry Gilliam, director of Brazil and 12 Minutes 22-page booklet featuring essays by Fellini, longtime Fellini collaborator and critic Tullio Kezich, and film professor and author Alexander Sesonske Theatrical Trailer Disc Two:Fellini: A Director's Notebook, a 52-minute film by Federico Fellini Nino Rota: Between Cinema and Concert, a compelling 48-minute documentary about the maestro behind the music of Fellini's films Interviews with actress Sandra Milo, director Lina Wertmuller, whose career began on the set of 8 1/2, and cinematographer Vittorio Storaro, who discusses the revolutionary art of Gianni di Venanzo Rare photographs from the collection of Gideon Bachmann Gallery of behind-the-scenes and production photos
Federico Fellini's 8 1/2, his 1963 semi-autobiographical story about a worshipped filmmaker who has lost his inspiration, is still a mesmerising mystery tour that has been quoted (Woody Allen's Stardust Memories, Paul Mazursky's Alex in Wonderland) but never duplicated. Marcello Mastroianni plays Guido, a director trying to relax a bit in the wake of his latest hit. Besieged by people eager to work with him, however, he also struggles to find his next idea for a film. The combined pressures draw him within himself, where his recollections of significant events in his life and the many lovers he has left behind begin to haunt him. The marriage of Fellini's hyper real imagery, dreamy sidebars and the gravity of Guido's increasing guilt and self-awareness make this as much a deeply moving, soulful film as it is an electrifying spectacle. Mastroianni is wonderful in the lead, his woozy sensitivity to Guido's freefall both touching and charming--all the more so as the character becomes increasingly divorced from the celebrity hype that ultimately outpaces him. --Tom Keogh