Day of the Dead (1985)

DAY OF THE DEAD (1985)
Reviewed by Jerry Saravia
RATING: Two stars

"Day of the Dead" is considered the least of the "Night of the Living Dead" series and, though it is no great shakes, it has its fill of claustrophobic zombie thrills that have made the first two "Dead" film hallmarks of the genre. Yes, it does lose its marbles and has no real human interest in its characters but the feeling of claustrophobia, a major component of these pictures, is omnipresent.

This time, the zombies have taken over America, parading throughout every town. An underground facility, housed by military men and scientists, have captured some of these zombies. The intention of the scientists is to discover what makes these zombies tick - why do they feel the craving to eat humans? One doctor (always covered in blood-splattered lab coats) is particularly intrigued by one zombie, whom he names Bub (Howard Sherman). Bub learns to look at the pages of a Stephen King book and put on headphones so he can listen to a Sony walkman! Although this subplot merits some interest, director George Romero seems less interested in the ironies present with a human using a zombie as a guinea pig.

Instead Romero focuses on some truly dull stereotypes which are simply marking time. The head of the decreasing military group is tough-guy Rhodes (Joseph Pilato), who feels it is a waste of time to experiment with these zombies - just shoot them all in the head. He also wishes to kill Sarah (Lori Cardille), a female scientist, if she does not comply with his orders. Sarah hopes that they can discover some cure, especially with any human that gets bitten, but it is a hopeless cause. And so most of "Day of the Dead" focuses on the strategies between the doctors and the macho military types until we get our money's worth with a typically gory last half-hour where all the zombies chomp their way through most of the cast.

"Day of the Dead" is not much fun to sit through nor are the characters very appealing. Yet the movie has the claustrophobic atmosphere of the original film, essentially an enclosed setting where there is no escape. In the original "Dead" film, it was an abandoned house in the middle of the countryside. In the numbing "Dawn of the Dead," it was a huge shopping mall. Here, the underground caverns enhance the creep factor. It's just that I barely cared for any of the people occupying those caverns.

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X-RT-RatingText: 2/4