Other Titles • The Shadow • Shadow und der Fluch des Khan (1994)
Synopses for The Shadow (1994)
1.
Another masked avenger is reincarnated as a big budget movie. Idle playboy Lamont Cranston (Alec Baldwin), schooled in Tibetan mysticism, fights crime in late '30s New York while wearing a natty hat and false beak. He finds time to romance telepathic sweetie Margo Lane (Penelope Miller), whose crusty old scientist Dad (Ian McKellen) has just invented an atom bomb which is in danger of falling into the hands of Shiwan Khan (John Lone), conquest-happy last descendent of Genghis Khan.
Director Russell Mulcahy turns out the regulation death traps (a locked chamber filling with water, a bomb timer which ticks away during the climax) and the Shadow breezes through via nifty "invisible" effects. It evokes the conventions and charms of 1930s' pulp fiction in rather more nostalgic mode than Quentin Tarantino's Pulp Fiction, and adds little of its own attitude, although a sly camp sensibility (notably in the extremely chi-chi Tim Curry and John Lone as the villains) goes for snickering at the expense of tension. A pleasant, eye-pleasing movie but, after the super-heroic likes of Batman, The Crow and The Mask, the merely mysterious Shadow seems somewhat grandfatherly and remote. --Kim Newman
(22 votes)
2.
Alec Baldwin stars with Penelope Ann Miller as the legendary crime-fighting superhero in "The wittiest action-adventure since Indiana Jones!" Donning his sweeping black cape and disguise, The Shadow takes on his most dangerous nemesis yet" the last descendant of the great Genghis Khan whose weapon of choice is an atomic bomb. With the fate of humanity hanging in the balance, they square off for a spectacular battle in a dazzling mixture of mind-blowing special effects, humor and a dose of the macaber that will hold you spellbound!
(21 votes)
3.
A mixed bag that received mixed reviews when released in 1994, this lavish film works overtime to honor the spirit and style of the vintage pulp novels and radio shows that made The Shadow a household name in the 1930s and '40s. Alec Baldwin plays the Shadow, a.k.a. Lamont Cranston, who arrives in New York from his decadent life in Tibet, fully reformed and disciplined in his ability "to cloud men's minds." A crime fighter who lurks in the dark recesses of the city, the Shadow faces his most deadly challenge when Shiwan Khan (John Lone), the last surviving descendant of Genghis Khan, hatches a plot to conquer the world. The scheme involves a madman (Tim Curry), a hapless scientist (Ian McKellen), and various traps designed to catch and kill the Shadow, who must also contend with his blossoming romance with Margo Lane (Penelope Ann Miller), a slender beauty capable of a little mind play of her own. The movie's art deco production design turns out to be a scene-stealer when the plot drags, and in the title role Baldwin is never given enough good material to create a compelling character. Still, The Shadow is true to the legacy that inspired it, admirably avoiding any conspicuous compromise of its 1930s style and setting. If you can't get into the story, you're sure to be hooked by the look of the production, which is never less than dazzling. --Jeff Shannon
(20 votes)
4.
A moody and atmospheric crime film, inspired by a popular radio show that ran for over 25 years.
In another, better time, crime boss Lamont Cranston, using the name Ying Ko, ruled Tibet's underworld. Then someone slashed him with a strange and powerful weapon, changing Cranston forever, both physically and psychically. Now, he lurks in the shadows of Manhattan, battling gangsters -- including one particularly evil man who has followed him from Tibet.
(20 votes)
5.
Based on the 1930's comic strip, this film, starring Alec Baldwin, puts the hero up against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results.
(20 votes)
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