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Schizopolis (1996) - movie plots

Schizopolis (1996)

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66%
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Directed by
Steven Soderbergh

Written by
Steven Soderbergh

Cast
Steven Soderbergh, Betsy Brantley, David Jensen, Mike Malone, Eddie Jemison [more]


Release Date
• USA: Apr 9, 1997
DVD Release Date
• R1: Oct 28, 2003

Budget $250,000

MPAA Rating
NR

Running Time
1 hour, 36 minutes

Country USA

Studio Point 406

More info on IMDb.com

Other Titles
• Steven Soderbergh's Schizopolis (1997)



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 Synopses for Schizopolis (1996)
1.

Both a kind of home movie and a salute to the hip, pop-up sketch comedy of 1960s-early 1970s television--Laugh-In, Monty Python's Flying Circus, that sort of thing--Schizopolis is a hit-and-miss series of dada gags with vaguely connecting threads of Kafkaesque paranoia. Soderbergh himself stars as two people--one an ineffective dentist, the other a speechwriter for a cult movement called Eventualism, which has set out to "question all answers"--connected by their romances with the same woman, played by Soderbergh's real-life ex, Betsy Bramley. There isn't so much a story as a series of bits in which these characters often (though not necessarily) turn up, from press conferences on the subject of horse urination to old footage of nudists to a scene of an Eventualist exchange between husband and wife: "Generic greeting!" "Generic greeting returned!" None of this leads to a literal point, but after a while an undercurrent of disease about making sense of the modern world becomes apparent beneath the jokes. Soderbergh (sex, lies, and videotape, Out of Sight) is certainly a filmmaker who goes his own way in life, always hitting his target in one spot or another and occasionally getting a bull's-eye for his trouble. Schizopolis is no bull's-eye, and it has just as many detractors as admirers, but it's impossible not to appreciate Soderbergh's conviction that making a film out on the fringes is a worthy endeavor. --Tom Keogh

  

2.Marking a return to the low-budget territory that launched his career in 1989 (with SEX, LIES, AND VIDEOTAPE), Steven Soderbergh pulls together this freewheeling comedy that is stuffed with an onslaught of visual and verbal puns. Soderbergh plays dual roles as Fletcher Munson and Dr. Jeffrey Korchek. Munson is a nerdy copywriter who finds himself under an extreme amount of pressure when his boss dies, leaving him to write the upcoming speech for T. Azimuth Schwitters, a revered spiritual leader. Korchek is a dentist who begins to have an affair with Munson’s wife but finds himself in trouble when he falls for a new patient. Also thrown into the mix is Elmo Oxygen (David Jensen), an orange-jumpsuit-wearing exterminator who spends more time sleeping with his clients than doing actual work. By the time the moment comes for Schwitters to give his speech, the life of each character has been turned completely upside down. Soderbergh mocks, satirizes, and criticizes the late 20th century’s hurried, soulless atmosphere, including religion, marriage, the media, the workplace, and male-female sexual relations. This fresh blend of lighthearted comedy and crackling dialogue makes SCHIZOPOLIS an exhilarating romp that recalls the early comedies of Richard Lester.   

3.  Inspired by rumors, bald-faced lies, and half-remembered dreams!

Fletcher Munson has a doppelganger in dentist Dr. Jeffrey Korchek. In his only starring performance to date, acclaimed director Steven Soderbergh inhabits both roles: that of Munson, onanistic corporate drone and speechwriter for New Age guru T. Azimuth Schwitters, and the swinging Korchek, Muzak enthusiast and lover of Munson's disenchanted wife. Meanwhile, mad exterminator and part-time celebrity prima donna Elmo Oxygen plots against Schwitters while using his trademark babble to seduce local housewives. Placing the onus squarely on the viewer ("If you don't understand this film, it's your fault not ours"), writer-director-cameraman-star Soderbergh presents a deranged comedy of confused identity, doublespeak, and white-knuckle corporate intrigue, confirming his status as one of America's most daring and unpredictable filmmakers.  
  



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