Other Titles • Pennies from Heaven • Tanz in den Wolken (1981)
Synopses for Pennies from Heaven (1981)
1.
Steve Martin plays Arthur, a '30s-era traveling sheet-music salesman whose marriage is bleak and who embarks on a fateful affair with a teacher (an amazing Bernadette Peters). Arthur's dreary world is juxtaposed with Busby Berkeley-styled musical production numbers that showcase Martin's and Peters's versatility. Arthur's world is desperate, sad, and only the more so when directly compared to the musical numbers. But it does work and it is affecting.
This dark, yet simultaneously ebullient film written by Dennis Potter is capable of presenting such polar-opposite visuals and emotion. Until this film, Martin was best known for his comedic albums, and for 1979's The Jerk. In other words, Pennies' disappointing box office can be accredited to audiences' inability to accept a dark Martin in the early 1980s. If Martin's dancing ability comes as a surprise, an even greater revelation is Christopher Walken in a sexy stripping tap-dancing number. Bob Hoskins played Arthur in the 1978 British miniseries of the same name. --N.F. Mendoza
(15 votes)
2.
Herbert Ross's PENNIES FROM HEAVEN is a lavish adaptation of the BBC series of the same name; it's a contemplative avant-garde musical in which drab everyday surroundings magically become movie sets and everyday speech suddenly turns into song. Steve Martin stars as Arthur, who sells sheet music--and the dreams promised in their lyrics--in 1930s depression-era Chicago. He's not always the most pleasant of fellows: He cheats on his wife, lies to his lovers, and seduces an innocent schoolteacher, Eileen (Bernadette Peters). But his spirit still has a sweetness and innocence--the sweetness of the Tin Pan Alley tunes he hawks and the innocence of the fantasy-filled Hollywood musicals he sees. When Arthur and Eileen set out on a series of misadventures, their bleak world turns to song and dance in a series of lavish Busby Berkeley-style musical numbers. The film features stunningly versatile performances by Steve Martin and Bernadette Peters.
(15 votes)
3.
During the Great Depression, a married sheet-music salesman falls in love with another woman and uses cheery songs from that era to imagine a better life for himself.
(15 votes)
4.
Dennis Potter's astonishing six-part miniseries Pennies from Heaven remains one of the edgiest, most audacious things ever conceived for television. The story tells of one Arthur Parker (Bob Hoskins), a sheet-music salesman in 1930s England. Beaten down by economic hard times and the sexual indifference of his proper wife (Gemma Craven), Arthur cannot understand why his life can't be like the beautiful songs he loves. On a sales trip through the Forest of Dean, he meets a virginal rural woman (Cheryl Campbell) he suspects may be his ideal. Ruination follows. Punctuating virtually every scene is a vintage pop song--lip-synched and sometimes danced out by the characters. This startling innovation makes the contrast between Arthur's brutish life and his bourgeois dreams even more dramatic.
Potter's dark vision digs into British stoicism, sexual repression, the class system and even the coming of fascism in Europe. But it is especially poignant on the subject of the divide between art and reality. Piers Haggard directs the long piece with deft transitions between songs and story. (It was shot partly on multi-camera video, partly on film.) The cast is fine, especially the extraordinary Cheryl Campbell, who imbues her character with keen intelligence and no small measure of perversity. Bob Hoskins triumphs in his star-making part, bringing a demonic energy to his small-time Cockney, nearly bursting his button-down vests with frustration and appetite. Pennies from Heaven was remade in 1981 for the big screen (with Steve Martin), in an interesting, Potter-scripted adaptation; it's one of the reasons the original has been unavailable on home video for so long. --Robert Horton
(15 votes)
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