Onegin (Fiennes) is a bored, unaffected St. Petersburg aristocrat who inherits his uncle's large estate. When he rejects the advances of his neighbor Tatyana (Tyler), her sister's fiance considers this an offense worth fighting over. In a senseless, tragic duel, Onegin prevails. Six years later, Onegin returns to St. Petersburg and is reintroduced to Tatyana. This time, he falls helplessly in love with her and discovers, crushingly, that she has already married and has no intention on reciprocating his emotions. Fienne's debut as a feature film director is aided greatly by Adefarasin's cinematography, brother Ralph's performance, and Tyler's mere appearance. Based on the classic verse novel EUGENE ONEGIN by Pushkin.
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A Timeless Masterpiece Of Love And Obsession.
Based on the classic novel by Alexander Pushkin, Ralph Fiennes (The End Of The Affair, The English Patient) and Liv Tyler (Stealing Beauty) ignite the screen in this timeless masterpiece of love and obsession. After inheriting his uncle's country estate, playboy Evgeny Onegin (Fiennes) travels there and meets a beautiful, passionate young girl Tatyana (Tyler). But their relationship sparks a series of events so horrifying they threaten to destroy everything the two have ever known.
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Given that for Russians, Pushkin's poem Eugene Onegin is sort of like Hamlet, Beowulf and Lord Byron's Don Juan rolled into one melancholy tale of lost love and ennui among the gentry, it's surprising Russian filmmakers have balked at adapting the film. Having taken a stage production of Hamlet to Russia where it was rapturously received, self-confessed Slavophile actor Ralph Fiennes must have thought he was making reparation when he executive-produced and starred in this faithful adaptation of the film. With Martha Fiennes on board as director, it's something of a family affair with more than a little of the solemnity one often discovers in "personal projects". Pushkin's romanticism comes across amply, but little of his ferocious wit or, inevitably, the authorial voice that makes the poem so compelling, even in translation. Ralph Fiennes typecasts himself in the title role: his Onegin is yet another of the actor's wintry, haunted lovers in period dress (this time early 19th century). The character, a jaded roué from St. Petersburg, summers in the countryside where he inadvertently wins the heart of the impulsive Tatyana (Liv Tyler, the girl they book when Gwyneth Paltrow's busy). Onegin's casual attitude to her love leads to a tragic duel (magnificently tense and perfectly staged), and years later a chance meeting stirs up feelings of regret, triumph and moral queasiness. Tears well in eyes, letters are sent and read, furs are ruffled in the snow. This is the high-brow end of costume drama: patrician in its literary purity, and rather admirable in its restraint and good taste, if a little dull. If you're not a fan of genre, you might start screaming for Steven Seagal to descend from a helicopter and start spraying the impeccable sets with an Uzi. --Leslie Felperin
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