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Dreamcatcher - 2/5 Stars
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CAST
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Col. Abraham Kurtz: Morgan Freeman
Dr. Henry Devlin: Thomas Jane
Beaver: Jason Lee
Jonesy: Damian Lewis
Capt. Owen Underhill: Tom Sizemore
Pete Moore: Timothy Olyphant
Douglas "Duddits" Cavell: Donnie Wahlberg
REVIEW BY JOHN ULMER
What went wrong in the second half of "Dreamcatcher"? Here we are given a
story that is engaging and interesting, only for it to be transformed into a
kind of large budget monster movie towards the end. It is as if all the
characters go awry, the screenplay hits a hard block in the road, and the
plausability collapses. Rarely has a film so withered away in the second
half as "Dreamcatcher."
The movie is based on the novel by Stephen King, a book I tried desperately
to get into some months ago, only to give up a few pages in. It was a day
when I had borrowed two of King's books from a local library and bought one,
finally forcing myself to sit down and judge for myself if the much-hyped
Stephen King lived up to his name.
I bought and loved "Misery," but the other I read, "Cujo," was unbearably
awful and stupid, and "Dreamcatcher" interested me but lost me with its odd
sense of narrative. I won't complain about the 800-some page novel since I
did not read it, but from what I can tell, William Goldman, who co-wrote
"Dreamcatcher" with Lawrence Kasdan (and also penned "Misery" for Rob
Reiner), cannot be blamed for getting lost in translation. The novel seemed
messy, and Goldman and Kasdan's script soon leaves behind all hope, too.
The movie's setup was incredibly interesting, which is why the latter half
was frustratingly terrible. Our tale begins some twenty years ago, when
childhood friends, named Jonesey, Beaver, Pete and Henry save a mentally
challenged boy from a pack of bullies. The boy gives them a gift of psychic
telepathy in turn, and all four men can communicate between each other
"without picking up a phone."
Flash forward twenty years: Jonesy (Damian Lewis), Beaver (Jason Lee), Pete
(Timothy Olyphant) and Henry (Thomas Jane) all reunite in a log cabin during
a blizzard in Maine. As fate would have it, a mysterious alien force is at
work. A lost man shows up at the men's cabin, only to have a strange
creature force its way out of his...well...bottom. The creature kills Beaver
and an alien named Mr. Gray infects Jonesey. This is where the movie starts
to get...odd.
Jonesey remains inside his mind by locking himself up inside his Memory
Warehouse, a subconscious warehouse visualized by Kasdan as a bunch of rooms
containing Jonesy's memories. This effect reminds me of a type of "Alice in
Wonderland" fable, of a man locked inside his own brain (okay, that wasn't
in "Alice in Wonderland" but it's the same type of thing). It's interesting,
but doesn't fit into the film. It's just too weird for what had appeared at
first to be a serious film.
The film features Morgan Freeman's name ahead of everyone else's on the
posters, yet Freeman turns up belatedly in this movie, thirty-five minutes
in (I checked my watch!), and utters his first real line fifty minutes in.
Freeman plays Col. Abraham Kurtz, the "Good Bad Guy" of this movie. Freeman
is usually a compelling actor to watch on screen, especially in films like
"Se7en." There's Brad Pitt in one corner, speaking his mind, while Freeman
stands there with watchful eyes, surveying his surroundings and really
seeing what is going on around him. Not this time. He is one giant cliche in
this movie, the hard-nosed military man who, along with the aliens, is a bad
guy. He is the colonel who wants to kill innocent humans to eliminate the
aliens, making his purpose justified but his means not. This technique of
the Good Bad Guy always angers me, every time I see it, as I don't think
audiences should be duped into having to decide between rooting for aliens
and a military man. No wonder Goldman and Kasdan introduced him almost an
hour in--I assume that Goldman, an experienced screenwriter, realized
Freeman's character would not get the audience's hopes up if he was
introduced any earlier. An hour in the audience can't very well leave as
voluntarily as they would in the first five minutes.
And speaking of the cast, Jason Lee was the surprise for me in this film; I
hadn't really seen him before in any films. I haven't seen "Stealing
Harvard" or any Kevin Smith films, so I had never really seen Lee on film
before. He stole every scene as Beaver. Which figures, since he is the first
killed.
Tom Sizemore plays someone in this movie, who does the obvious and cliched,
and he was extremely held back as compared to his usual self. Sizemore, who
starred in "Saving Private Ryan," "Black Hawk Down" and other military films
as far as his mainstream films go, disappointed me. It's the terrible
script, and Sizemore just went with the flow.
There's a boundary between great alien movies and terrible ones.
"Dreamcatcher" started off as an intriguing character study of four
childhood friends with a mysterious power connecting them. The second half
turned into another horrible B-monster-movie with a larger budget. Reader, I
tried desperately to figure out what was happening and where the plot was
going, but after the one hour mark I started getting lost, and by the end of
the film I still didn't know what was going on and, to be quite honest, I
didn't really care.
Copyright, 2003, John Ulmer
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johnulmer2003@msn.com
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X-Language: en
X-RT-ReviewID: 1183756
X-RT-TitleID: 1120951
X-RT-SourceID: 1382
X-RT-AuthorID: 6769
X-RT-RatingText: 2/5
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