Dreamcatcher
Rental with Snacks
As all Stephen King fans know, his stories have had a spotty
reputation when translated to film. It should be noted that the most
successful adaptations were also truly the most faithful (in the
sense that Sense & Sensibility was faithful to the original). If you
haven't read this novel, you will - not might, but WILL - be
exessively disgruntled by the deus ex Hollywood ending. You should
be. Having read it (and even rechecked it) was excessively irked by
the bizarre twist to a very beloved character. It's more of a
departure than the end of It and The Shining. So, this review is
officially renouncing the "solution" to the psychological ending
written in the novel.
That said, the rest of the movie is great! Seriously. Cowriters
Lawrence Kasdan (Big Chill, Empire Strikes Back) and William Goldman
(Misery, Princess Bride) condense lots of information and tone and
mood into a deft, nerve-wracking little movie, with some boo scares,
humors, creepily peaceful silences, and suspense. Yay team! It's
just this well-formed work that makes the insae foolishness at the
end all the more inexcusable: the end of Maximum Overdrive is just as
silly as the beginning, but the disparity is too great here.
Our cast of friends (Jason Lee, Timothy Olyphant, Thomas Jane &
Damian Lewis) has good chemistry, appealing presentation, and work
nicely. I understand H as Henry, who looks like a sexy Aaron Eckhart
without being a "pretty boy," was in Sweetest Thing, but I don't
recognize Lewis (as Jonesy) - but he was in Band of Brothers. Lewis
had possibly the hardest job on this movie to pull off without
sucking, and I found him very effective at both not sucking and being
creepy. Lee and Olyphant are the lighter characters and are
predictably effective and natural, just like we like them.
Meanwhile, Morgan Freeman gets to play the kind of off-kilter madman
that Tom Sizemore usually ends up playing. Added bonus: Tom
Sizemore gets to play the insightful moral center that Freeman
usually ends up playing. It was great fun to watch their scenes.
Back to Jonesy. One concept that actually could have made the film
unfilmable is the idea of Jonesy's "memory warehouse." In writing,
it reads like a metaphor rendered in tangible approximations, but on
screen, the filmmakers managed to keep this important element
visually effective without being confusing or hokey. I was thrilled
to see such a Kingian concept handled so well. The actor, Andrew
Robb, playing young Duddits/Douglas is so beatific you just want to
hug him. All in all, I really enjoyed Dreamcatcher, I enjoyed that
it had layers, good actors, great shots, creepy critters 9oh those
weasels!), Kingesque dialogue, and overall, stayed true to the story.
Why oh why did they substitute a turd for the cherry on the sundae?
See it anyway and just forgive.
--
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These reviews (c) 2003 Karina Montgomery. Please feel free to forward
but just credit the reviewer in the text. Thanks.
reviews@cinerina.com
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