Other Titles • The Guns of Navarone • Die Kanonen von Navarone (1961)
Synopses for The Guns of Navarone (1961)
1.
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(20 votes)
2.
One of the great war movies of all time, with an all start cast, and a gripping plot--based on the Alistair MacLean novel. A commando team is sent to a Greek Island to destroy the giant guns of World War II Germany which are controlling a strategic channel in the Aegean Sea. This was a groundbreaker in the Special Effects department, too. Academy Award Nominations: 7, including Best Picture, Best Director, Best (Adapted) Screenplay. Academy Awards: Best Special Effects.
(19 votes)
3.
Gregory Peck, Anthony Quinn and David Niven are Allied saboteurs assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.
Blacklisted Carl Foreman (High Noon, The Bridge On The River Kwai) was determined to re-establish both his name and credibility after spending most of the '50s working in anonymity. To accomplish this, he decided to bring Alistar Maclean's best-selling novel, The Guns Of Navarone, to the screen. Supported by an all-star cast and produced on a grand scale, the film was an enormous success, receiving seven 1961 Academy Award nominations (including Best Picture) and winning for Best Special Effects.
Although Foreman achieved his goal, it was Maclean who would wind up the true beneficiary; his novels became the source for many high-adventure screen epics, including Ice Station Zebra and Where Eagles Dare. However, it is The Guns of Navarone that remains not only the best of the Maclean adaptations, but one of the greatest action/adventure spectacles ever produced.
(19 votes)
4.
This rousing, explosive 1961 World War II adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage. As world-famous mountain climber turned British army Captain, Mallory (Peck) leads a guerrilla force composed of the humanitarian explosives expert, Miller (David Niven), the ruthless Greek patriot with a grudge, Stavros (Anthony Quinn), veteran special forces soldier Brown (Stanley Baker) and the cool, quiet young marksman Pappadimos (James Darren). This disparate collection of classic types must overcome internal conflicts, enemy attacks, betrayal and capture to complete their mission. Director J. Lee Thompson sets a driving pace for this exciting (if familiar) military operation, a succession of close calls, pitched battles and last-minute escapes as our heroes infiltrate the garrisoned town with the help of resistance leader Maria (Irene Papas) and plot their entry into the heavily guarded mountain fort. Carl Foreman's screenplay embraces MacLean's role call of clichés and delivers them with style, creating one of the liveliest mixes of espionage, combat and good old-fashioned military derring-do put on film, while Dimitri Tiomkin's score is as sturdy as the rock of Navarone itself. --Sean Axmaker
On the DVD: This special-edition DVD gives the modern-day viewer a taste of what movies were like in 1961. Four curious featurettes are included, produced as publicity for the film. James Darren narrates a little ditty at his honeymoon in Malta during filming; Irene Papas narrates a giddy, old-fashioned look at "Two Girls on the Town". There is even a filmed bit with producer-writer Carl Foreman that was shown once at the premiere. The 30-minute retrospective, "Memories of Navarone", made in 1999 has the expected reminiscences from Gregory Peck and Anthony Quinn. Director J. Lee Thompson's audio commentary is a bit frustrating; he's now in his 80s, and most of his recollections are slow in coming. A historian could have brought out the film's history (it was the most expensive movie ever made at time of release) and produced a more vital viewing. --Doug Thomas
(19 votes)
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