From the groundbreaking director of Good Will Hunting and Finding Forrester, Gerry stars Academy Award winner Matt Damon (Best Original Screenplay, Good Will Hunting, 1997; The Bourne Identity, Ocean's Eleven) and Casey Affleck (Ocean's Eleven, Soul Survivors) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship! Written by Damon, Affleck and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!
(13 votes)
2.
In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret Fetzer
(11 votes)
3.
In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving through a desert populated with imposing rock formations and bordered by miles of sky, the two Gerrys stop to see an unspecified "thing" which they are unable to find. The two young men then attempt to return to their car, but cannot find the pathway back. As they wander through the increasingly difficult desert terrain, their journey strains their friendship and becomes an exploration that is clearly about more than just finding the car.
After several commercial projects, GERRY is in some ways a return to roots for director Gus Van Sant. The motifs of moving clouds and the desert imagery may recall his early works--MY OWN PRIVATE IDAHO and EVEN COWGIRLS GET THE BLUES--but GERRY is even more ambitious than those revered projects. Highly influenced by Hungarian filmmaker Bela Tarr (WERCKMEISTER HARMONIES), the film uses minimal dialogue and long, languishing shots to achieve a meditative mood.
(12 votes)
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