Other Titles • The Elephant Man • Der Elefantenmensch (1981)
Synopses for The Elephant Man (1980)
1.
John Merrick was known as the elephant man because of a deadly disease that transformed his features and proportions into something monstrous. He survived as a circus freak show attraction until Frederick Treves decided to "rescue" him and to introduce him to society. Treves tries hard to protect his charge--and slowly the physically deformed Merrick emerges from his shell and reveals a keen mind and a sensitive soul. But Merrick, realizing that he can never truly be a part of the "normal" world, eventually makes a difficult, heartbreaking decision...
(11 votes)
2.
David Lynch brings his own dreamlike style to the heartbreaking yet somehow uplifting story of John Merrick (John Hurt), a hideously deformed individual dubbed the Elephant Man during his years in a circus freak show in Victorian England. After suffering for years at the hands of his circus "master," the eloquent, soft spoken Merrick is "rescued" by compassionate surgeon Dr. Frederick Treves (Anthony Hopkins), who allows him to live at the hospital where he works. Merrick becomes a social celebrity when he meets a popular stage performer (Anne Bancroft), but he must continue to fight for his dignity with those who still choose to view him as a freak. Meanwhile, Treves begins to question whether his supposed act of humanity has been just as exploitative as Merrick’s former caretaker's.
Lynch’s follow-up to his 1978 cult classic ERASERHEAD is a striking blend of art and entertainment, which earned the film eight Academy Award nominations in 1980. Freddie Francis's breathtaking black-and-white cinematography combines with John Morris’s score to re-create Victorian England with a deeply haunting beauty. It is the compassionate performances of Hurt and Hopkins that lift THE ELEPHANT MAN to a more emotional level, however, bringing an inspired sadness to Lynch’s striking vision.
(11 votes)
3.
You could only see his eyes behind the layers of makeup in The Elephant Man but those expressive orbs earned John Hurt a well-deserved Oscar nomination for his moving portrayal of John Merrick, the grotesquely deformed Victorian man. Inarticulate and abused, Merrick is the virtual slave of a carnival barker (Freddie Jones) until dedicated London doctor Frederick Treves (Anthony Hopkins in a powerfully understated performance) rescues him and offers him an existence with dignity. Anne Bancroft co-stars as the actress whose visit to Merrick makes him a social curiosity, with John Gielgud and Wendy Hiller as dubious hospital staffers won over by Merrick. David Lynch earned his only Oscar nominations as director and co-writer of this sombre drama, which he shot in a rich black-and-white palette, a sometimes stark, sometimes dreamy visual style that at times recalls the offbeat expressionism of his first film, Eraserhead. It remains a perfect marriage between traditional Hollywood historical drama and Lynch's unique cinematic eye, a compassionate human tale delivered in a gothic vein. The film earned eight Oscar nominations in all and though it left the Oscar ceremony empty-handed, its dramatic power and handsome yet haunting imagery remain just as strong today. --Sean Axmaker, Amazon.com
On the DVD: Being black and white, it's easier to judge the digital transfer in terms of shade and thankfully this print looks just fine. There's a little confusion over the sound, however, which is advertised as Stereo on the box but says Mono on the Audio Menu. It certainly seems to be a basic Dolby stereo but it's a shame Lynch hasn't given it the personal touch since he's obsessed with mixing his films' sound himself. From the nicely thought-out animated menus there's a gallery of 20 photos and a misguiding, dramatic theatrical trailer. The only other extra is a 64-page book of which only 10 pages relate directly to the film (the rest re-tell Lynch's career and the real Elephant Man's life). --Paul Tonks
(10 votes)
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