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David Lean's wintry adaptation of Boris Pasternak's melodramatic Russian Revolution romance, Doctor Zhivago, is a masterpiece of epic filmmaking, but one that risks leaving the viewer cold. Though none of the film was shot in the then USSR, Lean's assured technique nevertheless illuminates the breathtaking backgrounds magnificently: from the snowy wastes of the Urals to the strife-torn streets of Moscow, Lean stages a series of wonderful set-pieces showing war, revolution and its terrible aftermath. The problem lies in the foreground. Omar Sharif's entirely passive Zhivago is, we are told, a romantic poet of great sensitivity who internalises all his emotions and expresses them in verse. The trouble is the audience never gets to see a line of his poems, not even the centrally important "Lara" cycle. Thus Zhivago at the end of the picture is as much an emotional blank to us as he was at the beginning. His affair with the idealised beauty that is Julie Christie's Lara is also taken for granted by the filmmakers rather than set up in any convincing way, their mutual attraction remaining a mystery that creates a vacuum at the core of the picture. Given that none of the central characters with the exception of Rod Steiger's fire-breathing lecher Komarovsky ever give way to strong emotions, the romantic heart of the film remains oddly frigid. Matters are not helped by composer Maurice Jarre's incessant "Lara's Theme", which many will find teeth-grindingly irritating. Still, any David Lean epic, even a flawed one, is always going to be a first-class cinematic experience, and Zhivago is assuredly that.

On the DVD: A stunning anamorphic widescreen print is the ideal way to appreciate David Lean's craftsmanship and this movie's glorious, wintry cinematography. Maurice Jarre's "Lara's Theme" and the rest of his patchwork score can be heard in a music-only track, while Omar Sharif is joined by Lean's widow Sandra and Rod Steiger for an intermittent commentary. The second bonus disc contains a good hour-long making-of documentary plus 10 shorter contemporary documentaries giving various insights into the location shooting and the cast and crew. But it's the sheer beauty of the picture that will astonish and make this disc forever treasurable. --Mark Walker

Release Date: Nov 5, 2001

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Three of the 20th century's greatest cinematic spectacles, 1939's Gone with the Wind, 1959's Ben-Hur and 1965's Doctor Zhivago, are collected here in one irresistible box set. Long before computers turned every crowd scene and every grandiose backdrop into a pixellated virtual construct, these movies did it all for real. Nothing can substitute for their authentic sense of what really makes an epic: strong characters, emotionally involving storytelling and the grandest, most romantic sense of large-scale moviemaking. All three contain sequences and images that are indelibly burned into popular consciousness. Just recall Vivien Leigh's walk through the wounded of Atlanta, or her pledge never to be hungry again silhouetted against an achingly vivid sunset. Remember Charlton Heston rowing the Roman galley, or charging round the arena in his chariot. Or the enigmatic beauty of Julie Christie, the train ride to the Urals and the charge into No Man's Land.

On the DVDs: These priceless treasures from the MGM archives have been preserved and restored so marvellously that all three almost look like they were made last year, not decades ago. The vivid colours and detail of Gone with the Wind look astoundingly fresh in this anamorphic 1.33:1 print (just let your eyes drink in those burnished skies). Both Ben-Hur and Zhivago, too, benefit from anamorphic widescreen presentations that reveal every last gorgeous detail. All three discs also contain the full music scores, complete with Overtures and Intermission music: Max Steiner's immortal "Tara Theme" sounds as good as ever on the rich mono soundtrack; Miklos Rozsa's magnificent music for Ben-Hur is deservedly regarded as one of cinema's finest, while Maurice Jarre's famous "Lara's Theme" can even be heard in a separate music-only track on Zhivago. There are no extras on the Gone with the Wind disc, but the other two contain commentaries (from Charlton Heston and Omar Sharif respectively) and new, in-depth making-of documentaries. Zhivago also comes with a second bonus disc that has several contemporary behind-the-scenes pieces. The only moan is the infamous Warner packaging, which consists of their notorious cardboard sleeves that are easily damaged when trying to cram them into the thin cardboard slipcases. --Mark Walker

Release Date: Nov 5, 2001