This heartfelt drama tells us it's an AIDS movie that's not about AIDS. When this film keeps its promise (roughly the first three-quarters), it's a winner, a film about a truly notable friendship between two 11-year-old boys. Diagnosed with AIDS from a blood transfusion, Dexter (Joseph Mazzello) has gratefully bypassed most of Kübler-Ross's stages of death. He is, however, an outcast among his peers until Erik (Brad Renfro) comes along and finds him quite normal. Their bond deepens as they look for a cure for the disease using odd forms of scientific theory. Part educational text, part Mark Twain adventure, part tearjerker, the movie relies on something not found in movies these days: a love affair of male friendship. At its center are two of the best pre-actors around. Mazzello (Jurassic Park) has a professional presence on screen. The wild card is Renfro in only his second role (the other was The Client). As the outgoing, Huck Finn-ish boy, he has impressive physical abilities that communicate a naturalness on screen. The film's sappy hospital scenes bog down the picture tremendously, but they do lead to two special scenes that end the movie. The Cure is an assured directorial debut by TV actor Peter Horton (thirtysomething). An interesting note: single mothers raise both kids, a fact never lingered on--refreshingly so--in the script written by Robert Kuhn. --Doug Thomas
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"The Cure" is a touching tale of an unlikely friendship between two boys: Dexter, who has AIDS, and his neighbor Erik, a transplanted Southern teen trying to adjust to life in a new place.
Despite his mother's disapproval, Erik makes friends with his ailing, younger neighbor. At first the boys communicate from over the fence, but as the bond between them develops, Erik and Dexter come into closer contact. Their tight friendship ultimately leads the two to embark on a Mark Twain-like adventure down the Mississippi River.
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