Production Companies Brillstein-Grey Entertainment, Channel Four Films, Home Box Office (HBO), Sony Pictures Classics, Telling Pictures, Zweites Deutsches Fernsehen (ZDF), arte
What That's Entertainment did for movie musicals, The Celluloid Closet does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians on the silver screen.
Lily Tomlin narrates as Oscar®-winning moviemaker Rob Epstein (The Times of Harvey Milk and Common Threads: Stories from the Quilt) and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.
(38 votes)
2.
Rob Epstein and Jeffrey Friedman's documentary chronicles the way movies have portrayed homosexuals for the past 100 years and how these images, both positive and negative, have helped shape America's attitudes toward gays. Among the topics examined via interviews and film clips are the various gay stereotypes that recur onscreen, gay subtexts in such macho films as SPARTACUS and BEN-HUR, and how negative images of homosexuality created emotional conflict within the gay moviegoer. But the film also shows how the times have greatly changed, bringing more--and more realistic--gay characters to the silver screen. Interviewees include Susan Sarandon, Tony Curtis, Shirley MacLaine and Tom Hanks, among others. The film is based on the 1981 book by Vito Russo.
(28 votes)
3.
Author Armistead Maupin (Tales of the City) wrote Lily Tomlin's narration for this superb documentary, based on a book by the late Vito Russo, about Hollywood's treatment of homosexual characters in the 20th century. Never pointing a finger at anyone in the film community, The Celluloid Closet presents clips from more than 100 mainstream features (including The Children's Hour, Advise and Consent, The Boys in the Band, and The Hunger) that speak loudly in their respective images of gays and lesbians. The film makes a persuasive case for patterns of sexual mythology in Hollywood, such as presenting homosexuals repeatedly as tragic, helpless figures redeemed only through death or as back-street monsters cavorting in the shadows. Things change, of course, and clips from more recent films by gay and lesbian filmmakers suggest a more vital, diverse, autobiographical approach. There are lots of great interviews with screenwriters (Gore Vidal), filmmakers (John Schlesinger), actors (Tom Hanks, Whoopi Goldberg), and others to enunciate the major themes. --Tom Keogh
(29 votes)
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